Griselda Pollock


Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in the visual arts and visual culture. Based in the United Kingdom, she is known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory. Since 1977, Pollock has been one of the most influential scholars of modern, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history and gender studies.

Life and work

Born in South Africa to Alan Winton Seton Pollock and Kathleen Alexandra, Griselda Pollock grew up in both French and English Canada. Moving to Britain during her teens, Pollock studied Modern History at Oxford and History of European Art at the Courtauld Institute of Art. She received her doctorate in 1980 for a study of Vincent van Gogh and Dutch Art: A reading of his notions of the modern. After teaching at Reading and Manchester universities, Pollock joined the University of Leeds in 1977 as lecturer in History of Art and Film and was appointed to a Personal Chair in Social and Critical Histories of Art in 1990. In 2001, she became Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds, where she is Professor of Social and Critical Histories of Art. In 2017, Pollock celebrated 40 years of creating 'a feminist space' at the School of Fine Art, History of Art and Cultural Studies at the University of Leeds. She was awarded an Honorary Doctorate by the Courtauld Institute in 2019, presented by Professor Caroline Arscott who was Griselda Pollock's first PhD student. She delivered a graduation speech on this occasion. The Estonian Academy of Art also awarded her an Honorary Doctorate in 2019 in recognition of her long association with art historians and the feminist project in art and art history in Estonia and internationally. She gave a keynote lecture on the occasion: Why do we still love Vincent? She has visited this academy many times and delivered lectures on occasion of their twentieth anniversary.

Art history

Griselda Pollock is a feminist art historian and cultural theorist of art practices and art history. Her work challenges mainstream models of art and art history that have excluded the role of women in art, and at the same time explores the social structures that result in this exclusion. She examines the interaction of the social categories of gender, class and race, crucially researching the relationship between them and psychoanalysis and art, and drawing on the work of such French cultural theorists as Michel Foucault. Her theorization of subjectivity takes both psychoanalysis and Foucault's ideas about social control into account. She is known for her work on the artists Jean-François Millet, Vincent van Gogh, Mary Cassatt, Bracha L. Ettinger, Eva Hesse and Charlotte Salomon. and Alina Szapocznikow, Lubaina Himid, Sutapa Biswas, Christine Taylor Patten, Louise Bourgeois, Anna Maria Maiolino and Vera Frenkel. She has developed a range of concepts with which to theorise and practice critical feminist interventions in art's histories: old mistresses, vision and difference, avant-garde gambits, generations and geographies, differencing the canon and most recently, the virtual feminist museum.
In 2014, she was suggested by Michael Paraskos to the BBC to act as the presenter for a proposed remake of the 1969 television series Civilization, a series originated by the art historian Kenneth Clark. Paraskos described Professor Pollock as "one of the few academics around with the full breadth of knowledge of the sweep of art history."
On 5 March 2020, Pollock was named as the 2020 Holberg Prize Laureate "for her groundbreaking contributions to feminist art history and cultural studies."

Cultural studies and cultural analysis

Griselda Pollock is the founding director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Initiated with a grant from the then AHRB in 2001, CentreCATH is a transdisciplinary project connecting fine art, histories of art and cultural studies across the shared engagements with class, gender, sexuality, post colonial critique and queer theory. Its five research themes are: social exclusion and hospitality, musicality/aurality/textuality, architecture and philosophy, virtuality and digitally, memoria/historia/amnesia. After its first five years in which CentreCATH organised seminars and conferences on and around these themes. 17 publications emerged from this project, many of which appear in the New Encounters: Arts, Cultures and Concepts series. In 2007, with Max Silverman, Griselda Pollock received a second major grant for the project Concentrationary Memories: The Politics of Representation which explores the concept of an anxious and vigilant form of cultural memory analysing the devastating effects of the totalitarian assault on the human condition and alert to the persistent not only of this perpetual threat, but is invasion of popular culture in the form of a concentrationary imaginary. The project explored the forms of aesthetic resistance to totalitarian terror and the concentrationary imaginary. Four edited collections have been produced: Concentrationary Cinema: Aesthetics and Political Resistance in Night and Fog by Alain Resnais
WINNER OF 2011 KRASZNA-KRAUSZ PRIZE FOR BEST BOOK ON THE MOVING IMAGE
;Concentrationary Memory: Totalitarian Terror and Cultural Resistance, Concentrationary Imaginaries: Tracing Totalitarian Violence in Popular Culture and Concentrationary Art: Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts . The most recent CentreCATH https://centrecath.leeds.ac.ukproject was a Leverhulme Visiting Professorship for Carolyn Christov Bakargiev to undertake a critical analysis of the Documenta exhibitions with special reference to dOCUMENTA. CentreCATH has collaborated with [Opera North on several projects and is currently engaged in a long-term project Performing Violence.

Personal life

She is married to Antony Bryant and has a son and a daughter.

Publications