The Government Art Collection is the collection of artworks owned by the UK government and administered by the Department for Digital, Culture, Media and Sport. The GAC's artworks are used to decorate major government buildings in the UK and around the world, and to promote British art, culture and history. The GAC now holds over 14,000 works of art in a variety of media, including around 2,500 oil paintings, but also sculpture, prints, drawings, photographs, textiles and video works, mainly created by British artists or artist with a strong connection to the UK, from the sixteenth century to the present day. Works are displayed in several hundred locations, including Downing Street, ministerial offices and reception areas in Whitehall, regional government offices in the UK, and diplomatic posts outside the UK.
History
The GAC dates its establishment to 5 December 1899, when Reginald Brett, 2nd Viscount Esher, Permanent Secretary to the Office of Works, wrote to Sir Francis Mowatt, Permanent Secretary to the Treasury, proposing to spend £150 to acquire five painting for the Foreign Office, arguing that the expenditure would save a greater amount of money that would otherwise be spent on decorations. Up to the late 19th century, government ministers and ambassadors could decorate their rooms with their own personal art collections, but the GAC became more important as the social background of people holding government posts changed into the 20th century meant that could no longer be expected. In 1935, an annual "picture fund" of £250 was authorised by HM Treasury to buy artworks to decorate diplomatic posts outside the UK, with advice from an "Overseas Picture Committee" including the directors of the major public London collections at the National Gallery, London, the Tate Gallery, and the National Portrait Gallery. Initially, most of the works it acquired were historical portraits, such as a portraits of Charles II by Thomas Hawker, and of James II by Godfrey Kneller. As well as buying works, the GAC has also received many significant donations, some direct from the artist. The first curator of the collection, Richard Perry Bedford, was appointed in 1946; he was succeeded in 1949 by Richard Walker, who served until 1976, and expanded the collection from several hundred to over 8,000 works. The GAC expanded its remit to include more modern works: its first work by a living artist was Ripe Corn by John Nash, acquired in the 1940s; and John Piper was commissioned to create new works for the British embassy in Rio de Janeiro in 1949. By the 1970s, the GAC's modern artworks outnumbered the historical works. Dr Wendy Baron served as the director of the GAC from 1978 to 1997, and then Penny Johnson. The collection was named the "Government Art COllection" in 1981. Other government bodies hold their own collections, distinct from the GAC. For example, the Ministry of Defence had a separate art collection, which was dispersed to other public galleries and collections, including some to the GAC, in 2017.
Purchases and commissions are made with the support and agreement of the Advisory Committee on the Government Art Collection, whose members are appointed by the Secretary of State for Digital, Culture, Media and Sport. The Advisory Committee is currently chaired by Sir David Verey and comprises five ex officio members, together with several additional independent members.