God's Not Dead (film)


God's Not Dead is a 2014 American Christian drama film directed by Harold Cronk and starring Kevin Sorbo, Shane Harper, David A. R. White, and Dean Cain. The film was released theatrically on March 21, 2014, by Pure Flix Entertainment.
Written by Cary Solomon and Chuck Konzelman, and based on Rice book God's Not Dead: Evidence for God in an Age of Uncertainty, the film follows a Christian college student whose faith is challenged by an atheist philosophy professor, who declares God a pre-scientific fiction. It received mostly negative reviews, but grossed over $62 million on a $2 million budget. The film presents the evangelical narrative of supposed persecution of Christians in the United States, specifically the trope of colleges as "atheist factories". The movie was criticized for using straw man arguments and common stereotypes of atheists instead of any actual debate.
In 2014, an associate professor at Georgia Southern University was investigated for offering extra credit for students who watched the film.
The film is followed by the 2016 film God's Not Dead 2 and the 2018 film .

Plot

Josh Wheaton, a college student and Evangelical Christian, enrolls in a philosophy class taught by Professor Jeffrey Radisson, an atheist. Radisson demands his students sign a declaration that "God is dead" to pass. Josh is the only student who refuses. Radisson requires Josh to debate the topic with him but agrees to let the class members decide the winner.
In the first two debates, Radisson has counter-arguments for all of Josh's points. Josh's girlfriend Kara demands Josh either sign the statement or drop Radisson's class, because standing up to Radisson will jeopardize their academic future. When he refuses, Kara breaks up with him.
In the final debate, Josh halts his line of debate to ask Radisson: "Why do you hate God?" Radisson explodes in rage, confirming he hates God for his mother's death. Josh asks Radisson how he can hate someone that does not exist. Martin, a Chinese student whose father forbids him from talking about God to avoid jeopardizing Martin's brother's chance at overseas study, stands up and says, "God's not dead." Most of the class follows Martin's lead, and Radisson leaves the room in defeat.
Radisson dates Mina, an evangelical whom he belittles in front of his fellow atheist colleagues. Her brother Mark, a successful businessman and atheist, refuses to visit their mother, who suffers from dementia. Mark's girlfriend Amy is a left-wing blogger who writes articles critical of Duck Dynasty. When she is diagnosed with cancer, Mark dumps her. A Muslim student, Ayisha, secretly converts to Christianity and is disowned by her infuriated father when he finds out.
Josh invites Martin to attend a Newsboys concert. Radisson reads a letter from his late mother, and is moved to reconcile with Mina. Amy confronts the Newsboys in their dressing room, but asks them to help guide her in converting to Christianity. On his way to find Mina, Radisson is struck by a car and fatally injured. A reverend waiting at the intersection tends to Radisson and helps him as he dies. Mark at last visits his mother, but taunts her; she responds that his financial success was given to him by Satan to keep him from turning to God, then she doesn't remember his name. At the concert, the Newsboys show a video clip of Willie Robertson congratulating Josh on standing up to Radisson and encourages the audience to text "God's Not Dead" as a message to others. The Newsboys begin to play their song "God's Not Dead", dedicating it to Josh.

Cast

The film was shot from October to November 2012, in Baton Rouge, Louisiana, with the concert scene done in Houston, Texas. However, exterior shots of the concert is filmed in Staples Center, as well as the entrance.
The film soundtrack was released on March 3, 2014, by Inpop Records.

Reception

Box office

The film became a surprise success at the box office. In its first weekend of release, the film earned $9.2 million with an $11,816 per-screen average from 780 theaters, causing Entertainment Weeklys Adam Markovitz to refer to it as "the biggest surprise of the weekend". During that weekend, it finished third behind Divergent and Muppets Most Wanted at the box office.
The film began its international roll out in Mexico on April 4, 2014, where the movie grossed $89,021 its opening weekend. God's Not Dead grossed $60.8 million in North America and $3.9 million in other territories for a total of $64.7 million, against a budget of $2 million. At the end of 2014, God's Not Dead was ranked 93rd in terms of worldwide gross, and finished with $64.7 million worldwide.

Critical reception

On review aggregator website Rotten Tomatoes the film received a rating of 13%, based on 24 reviews, with an average rating of 2.68/10. The consensus reads, "Deploying sledgehammer theatrics instead of delivering its message with a dose of good faith, God's Not Dead makes for bad drama and an unconvincing argument to the unconverted." On Metacritic, the film received a score of 16 out of 100, based on six critics, indicating "overwhelming dislike".
Writing for The A.V. Club, Emily Todd Van Der Werff gave the film a "D–," saying, "Even by the rather lax standards of the Christian film industry, God's Not Dead is a disaster. It's an uninspired amble past a variety of Christian-email-forward bogeymen that feels far too long at just 113 minutes". Reviewer Scott Foundas of Variety wrote "... even grading on a generous curve, this strident melodrama about the insidious efforts of America's university system to silence true believers on campus is about as subtle as a stack of Bibles falling on your head..." Some sources and blogs have cited the film's similarities to a popular urban legend.

Evangelical and Roman Catholic response

The Alliance Defending Freedom, American Heritage Girls, Faith Driven Consumer, Denison Forum on Truth and Culture, Trevecca Nazarene University, The Dove Foundation and Ratio Christi have all endorsed the film.
Dave Hartline of The American Catholic gave God's Not Dead a positive review and hoped that other films like it would follow. Vincent Funaro of The Christian Post praised the film for being "a hit for believers and may even appeal to skeptics searching for answers".
Evangelical Michael Gerson, however, was highly critical of the film and its message, writing "The main problem with God's Not Dead is not its cosmology or ethics but its anthropology. It assumes that human beings are made out of cardboard. Academics are arrogant and cruel. Liberal bloggers are preening and snarky. Unbelievers disbelieve because of personal demons. It is characterization by caricature." John Mulderig echoed similar concerns in his review for the Catholic News Service, stating: "There might be the kernel of an intriguing documentary buried within director Harold Cronk's stacked-deck drama, given the extent of real-life academic hostility toward religion. But even faith-filled moviegoers will sense the claustrophobia of the echo chamber within which this largely unrealistic picture unfolds."

Sequels

Pure Flix Entertainment produced a sequel, God's Not Dead 2, with a release date of April 1, 2016, several days after Easter. A third God's Not Dead film, , was released on March 30, 2018. David A.R. White, Paul Kwo, Trisha LaFache, and Benjamin Onyango reprise their roles in the second film. However, in the third film, only David A.R. White and Benjamin Onyango reprise their roles, with Shane Harper also reprising his role as Josh Wheaton.
Reviewing the first and second films, critic David Ehrlich characterized the franchise and its core thesis of the Christian persecution complex:
The sequels, and Pure Flix itself, could be viewed as an embodiment of the trend God's Not Dead helped create. Pure Flix is a streaming service for "feel good entertainment". Such a service arose out of the sense that mainstream media was taking sides, leaving certain voices silenced. As author Alissa Wilkinson points out, "the film heralded a future, one that has since arrived, where culture is fully bifurcated....As pop culture continues to splinter into niches and microaudiences, it frequently caters to our individual and identity-group preferences."