The play was conceived after Nyman walked past the theatre which had hosted The Woman in Black for over 30 years, and he realised there hadn't been a horror play produced since that time. He proposed an original idea, like The Vagina Monologues, with three narrators on stage telling ghost stories. It premiered at the Liverpool Playhouse in February 2010 before being transferred for a longer run at the Lyric Hammersmith in London. It then transferred to the Duke of York's Theatre in the West End where it played from June 2010 to July 2011. The show re-opened at the Arts Theatre in February 2014 and ran until March 2015. In 2015 the show was produced at the Sydney Opera House before going on an Australian National Tour concluding at the State Theatre Centre of Western Australia in October 2016. The play was also performed in Canada, Russia, Peru, China and Finnland. In April 2019, the original creative team came together again to stage the production for an extended run at the Lyric Hammersmith. The production transferred to the Ambassadors Theatre form 4 October to 4th January 2020 before embarking on a UK tour from January 2020 at The Alexandra, Birmingham. The play is notable for running only 80 minutes and for its publicized warnings advising against anyone under the age of 15 attending. The marketing of the show outside the theatre is unusual in that there are no production photographs, just stills and video monitors showing the shocked reactions of audience members. An announcement at the end of the play asks the audience to "keep the secrets of Ghost Stories" so that new audiences do not have the experience spoiled with any prior information about the play.
Plot
Reviews of the show have confined themselves to outlining the basic structure of the plot, which revolves around Dr Goodman, a Professor of Parapsychology delivering a lecture on ghost stories. In the lecture he discusses a website featuring ghostly pictures, . He has recorded interviews with three people who claim to have had a supernatural experience. Each story seems to hinge on guilty feelings. As each interview is played back, the story is re-enacted on stage. The stories are recounted by a night watchman, a teen driver and a businessman awaiting his first child. These stories are then drawn together at the end, with a twist, as it becomes clear that the Professor is a participant in the stories and not simply a narrator.
Creative Team
The creative team for the original run of the play were: Cast Crew
