George Harrison and Ravi Shankar's 1974 North American tour
George Harrison and Ravi Shankar's 1974 North American tour was a 45-show concert tour of the United States and Canada, undertaken by English musician George Harrison and Indian sitarist Ravi Shankar in November and December of 1974. It is often referred to as the Dark Horse Tour, since the concerts served as a launch for Harrison's record label Dark Horse Records, to which Shankar was one of the inaugural signings, and Harrison's concurrent single was the song "Dark Horse". The release of his delayed album, also titled Dark Horse, followed towards the end of the tour. The shows featured guest spots by Harrison's band members Billy Preston and Tom Scott.
History
The 1974 tour was the first in North America by a former member of the Beatles since the band's 1966 visit. Raising expectations further among fans and the media, it marked the first live performances by Harrison since his successful staging of the 1971 Concert for Bangladesh shows, which had also featured Shankar and Preston. Harrison had no wish to revisit his Beatles past, however, and he stated in the pre-tour press conference in Los Angeles: "it's definitely not going to be a Bangladesh Mark II, if that's what people are thinking."Anne Moore, "George Harrison On Tour – Press Conference Q&A", Valley Advocate, 13 November 1974; available at . At the same press conference, in reply to questions about a rumoured Beatles reunion, he said that his former band " that good", relative to musicians he had worked with since, and he dismissed the idea of ever being in a group with Paul McCartney again. According to author Peter Doggett, these remarks created "the same sense of shock" as John Lennon's 1970 lyric "I don't believe in Beatles". Harrison biographer Simon Leng writes that the ensuing tour represented "a whirlwind of pent-up Beatlemania" in North America, "where the group had a status way beyond that of mere icons."In his set list for the tour, Harrison included just four Beatles songs: his own compositions "Something", "While My Guitar Gently Weeps" and "For You Blue", and the Lennon–McCartney song "In My Life". Aside from Scott and Preston, the musicians in Harrison's band included the soul/R&B rhythm section of Willie Weeks and Andy Newmark, Scott's L.A. Express bandmate Robben Ford, jazz percussionist Emil Richards, and horn players Jim Horn and Chuck Findley. Among Shankar's orchestra of top Indian classical musicians were Alla Rakha, Shivkumar Sharma, Lakshmi Shankar, Hariprasad Chaurasia, L. Subramaniam and Sultan Khan. During the performances, the two groups performed both separately and as one, mirroring the East–West fusion of Shankar's album Shankar Family & Friends.
Reception and legacy
The response from music critics varied significantly throughout the tour. Some reviewers were scathing in their assessment: Harrison was criticised for failing to respect the public's nostalgia for the Beatles, his choosing to afford considerable stage-time to Shankar's ensemble, his spiritual pronouncements and on-stage demeanour, and particularly the rough quality of his singing voice, caused by overexertion in the months leading up to the opening concert. Other reviews were highly favourable, admiring Harrison's humility in sharing the spotlight with his fellow musicians and the lack of overly theatrical presentation, and praising the breadth and adventurousness of the musical program.Although Mikal Gilmore of Rolling Stone magazine wrote in 2002 that the tour was "almost universally savaged by the press", Leng, having researched the contemporary coverage for his book While My Guitar Gently Weeps, concludes that "the majority of reviews were positive, in some cases ecstatic …" Leng contends that "the 'given' view of the tour" – namely, that it was "the most calamitous road show in the history of the genre" – has come from a series of unfavourable articles in Rolling Stone, culminating in the magazine's review of Dark Horse. Author Robert Rodriguez summarises the critical reception as follows: "Smaller press outlets without axes to grind tended to review the shows the best, whereas rock establishment coverage, such as Rolling Stones, tended to spin the tour as something close to an unmitigated disaster."
Aside from critics' opinions of the musical content, Harrison took exception to their reports that the shows were not being well received by audiences. In his 2014 article on the tour, for the website Ultimate Classic Rock, Nick DeRiso writes: "Ultimately, Harrison came to see the tour's issues as more a matter of media perception than anything. Bootlegs, to some degree, back up that notion – as fans appear to receive the dates with no small amount of enthusiasm." DeRiso also quotes Harrison's later recollection that "The public as a whole enjoyed it; it was always standing ovations – even for the Indian section … But they got on my case, the press – some of them anyway."
Due to the scrutiny he received from the media, Harrison remained wary of giving live performances. After 1974, he did not tour again until 1991, when he played a series of concerts in Japan with Eric Clapton. More recently, the 1974 Harrison–Shankar tour has been recognised by some commentators as a precursor to the 1980s world music genre, popularised by Western artists such as Paul Simon, Peter Gabriel and David Byrne. Referring to critics of the tour in a 1977 BBC Radio interview, Harrison said: "It's a pity that a lot of people missed out on something that went above their heads."
Tour dates
The tour itinerary was as follows:Date | City | Country | Venue |
2 November 1974 | Vancouver | Canada | Pacific Coliseum |
4 November 1974 | Seattle | United States | Seattle Center Coliseum |
6 November 1974 | Daly City | United States | Cow Palace |
7 November 1974 | Daly City | United States | Cow Palace |
8 November 1974 | Oakland | United States | Oakland–Alameda County Coliseum Arena |
10 November 1974 | Long Beach | United States | Long Beach Arena |
11 November 1974 | Inglewood | United States | The Forum |
12 November 1974 | Inglewood | United States | The Forum |
14 November 1974 | Tucson | United States | Tucson Community Center |
16 November 1974 | Salt Lake City | United States | Salt Palace |
18 November 1974 | Denver | United States | Denver Coliseum |
20 November 1974 | St. Louis | United States | St. Louis Arena |
21 November 1974 | Tulsa | United States | Tulsa Assembly Center |
22 November 1974 | Fort Worth | United States | Tarrant County Convention Center |
24 November 1974 | Houston | United States | Hofheinz Pavilion |
26 November 1974 | Baton Rouge | United States | LSU Assembly Center |
27 November 1974 | Memphis | United States | Mid-South Coliseum |
28 November 1974 | Atlanta | United States | Omni Coliseum |
30 November 1974 | Chicago | United States | Chicago Stadium |
4 December 1974 | Detroit | United States | Olympia Stadium |
6 December 1974 | Toronto | Canada | Maple Leaf Gardens |
8 December 1974 | Montreal | Canada | Montreal Forum |
10 December 1974 | Boston | United States | Boston Garden |
11 December 1974 | Providence | United States | Providence Civic Center |
13 December 1974 | Landover | United States | Capital Centre |
15 December 1974 | Uniondale | United States | Nassau Coliseum |
16 December 1974 | Philadelphia | United States | Spectrum |
17 December 1974 | Philadelphia | United States | Spectrum |
19 December 1974 | New York City | United States | Madison Square Garden |
20 December 1974 | New York City | United States | Madison Square Garden |
Setlist
The setlist for the shows was taken from the following songs :- "Hari's on Tour "
- "The Lord Loves the One "
- "Who Can See It"
- "Something"
- "While My Guitar Gently Weeps"
- "Will It Go Round in Circles"
- "Sue Me, Sue You Blues"
- "Zoom, Zoom, Zoom"
- "Naderdani"
- "Cheparte"
- "For You Blue"
- "Give Me Love "
- "Sound Stage of Mind"
- "In My Life"
- "Tom Cat"
- "Māya Love"
- "Outa-Space"
- "Dark Horse"
- "Nothing From Nothing"
- "What Is Life"
- "Anurag"
- "I Am Missing You"
- "Dispute & Violence"
- "My Sweet Lord"
Tour personnel
- George Harrison – vocals, electric and acoustic guitars, backing vocals
- Tom Scott – saxophones, flute
- Billy Preston – vocals, organ, clavinet, synthesizer, backing vocals
- Robben Ford – electric and acoustic guitars, backing vocals
- Jim Horn – saxophones, flute
- Chuck Findley – trumpet, flute
- Emil Richards – marimba, percussion
- Willie Weeks – bass
- Andy Newmark – drums
- Jim Keltner – drums
- Kumar Shankar – percussion, backing vocals
- Ravi Shankar – sitar, conductor
- Lakshmi Shankar – vocals, swarmandal; conductor
- Alla Rakha – tabla
- T.V. Gopalkrishnan – vocals, mridangam, khanjira
- Hariprasad Chaurasia – bansuri
- Shivkumar Sharma – santoor, backing vocals
- Kartick Kumar – sitar
- Sultan Khan – sarangi
- Gopal Krishan – vichitra veena, backing vocals
- L. Subramaniam – South Indian violin
- Satyadev Pawar – North Indian violin
- Rijram Desad – pakavaj, dholki, nagada, huduk, duff
- Kamalesh Maitra – tabla tarang, duggi tarang, madal tarang
- Harihar Rao – kartal, manjira, dholak, gubgubbi, backing vocals
- Viji Shankar – tambura, backing vocals