Geir Johnson, is a composer, writer and initiator of culture projects living at Nesodden outside Oslo. He was born in Fredrikstad, and received his first musical training as a soprano soloist in boys' choirs in Oslo, followed by music training in piano and singing, as well as choral conducting studies with Knut Nystedt. His own performance career spans from many years of choral conducting, via a short career as singer and keyboard player in a rock band, to performance artist in a multi-artist collective titled The TRASH Ensemble.
Geir Johnson has been active in the field of concert planning and management, first from the early 1980s at the Henie-Onstad Arts Centre in Oslo, later by establishing the BIT 20 Ensemble and the Music Factory festival in Bergen. In the early 1990s he was one of the founders of the contemporary music theatre company Opera Vest in Bergen, today named The Bergen National Opera, financed over the budget of the Ministry of Culture. From 1989 to 1995 he was President of Ny Musikk, the Norwegian section of ISCM, during which period the organization was also host to the ISCM World Music Days in 1990. From 1998-2009 he was in charge as Artistic and Managing Director of the Ultima Oslo Contemporary Music Festival, of which he was also one of the founders. As part of this work he has also planned and co-developed music projects in many European countries, as one of the founding members of the festival network Réseau Varèse in 1999. Since 2003 he has developed Parkteatret, a multi-purpose concert hall with approximately 250 events a year, without public support, in downtown Oslo. Since 2005 he is the founder of Transposition, a large-scale music cooperation and development project for twelve leading music institutions in Vietnam and Norway, and has continued this work in the HEDDA Foundation, by contributing to build a new building for the Gitameit Music school in Yangon, Myanmar. Geir Johnson has lectured on central topics in 20th century music and arts at Nordic universities, academies and at international conferences around the world, as well as published essays, articles and reviews, on issues ranging from popular music research to the contemporary music scene and cultural politics, in approximately 100 journals, magazines and newspapers worldwide. He has received several grants and awards. In 2002 he was awarded the Fegersten Foundation Music Prize for his lifetime contribution to Norwegian music, and in 2015 the Ministry of Culture, Sports and Tourism in Hanoi honored him with a medal for his contribution to the development of the Vietnamese music life. 2015 saw Johnson editing the book Viet Nam Overtures, a collection of articles covering the history and development of Transposition. December 2016 saw Johnson being bestowed with Norwegian collecting society TONO´s Outreach Prize. Johnson has also been a board member for a number of Norwegian cultural institutions and organizations, and as of 2015 he is serving as Chairman of the Board for Oslo’s multicultural MELA Festival and the classical music festival Valdres Sommersymfoni.
