Levin is also an artist who has shown photographs, photo collages, and collages with a solo show at the National Association of Women Artists at its New York Gallery in the spring of 2014. The show included her collage memoir, "On NOT Becoming An Artist," which tells her life in art in pictorial form, beginning with her mother teaching her to paint and then her parents forbidding her to become an artist. Levin has also published books with her photographs, including "Hopper's Places", in which she identified all of the paintings by Edward Hopper and then located the actual sites and photographed them. In her 1985 review of a related show organized by Levin, Vivien Raynor wrote in the New York Times: "Hopper's Places,a show that is as much about its guest curator, Gail Levin, as about its subject....Miss Levin has been building a small reputation as a photographer, and it is partly in this capacity that she now contemplates her subject....Miss Levin's deductions are invariably enlightening, as when she infers that Hopper's tendency to elongate structures was a reflection of his own great height." In this book, Levin also analyzes the changes Hopper made in his paintings. Since she began this conceptual art project in the 1970s, a number of other photographers have emulated her project.
Curator
At the Whitney Museum of American Art, Levin was the curator of a number of landmark touring exhibitions including Edward Hopper: Prints and Illustrations and Edward Hopper: The Art and The Artist ; Synchromism and American Color Abstraction, 1910-1925 ; and co-curator with Robert Hobbs of Abstract Expressionism: The Formative Years. Levin continues to organize exhibitions for museums internationally.
Publications
Levin is the author of "Edward Hopper: A Catalogue Raisonne." She has published books with her photographs, including "Hopper's Places" and "Marsden Hartley in Bavaria." She wrote the foreword to "The Lining of Our Souls: Excursion into Selected Paintings by Edward Hopper" by Rolando Pérez. Levin is the author of three biographies: "Edward Hopper: An Intimate Biography," "Becoming Judy Chicago: A Biography of the Artist" and "Lee Krasner A Biography." Levin also spearheaded a recent revival of the artist Theresa Bernstein by producing and editing "Theresa Bernstein: A Century in Art," a monograph with essays by herself, four of her graduate students, and two other scholars, which accompanies a touring exhibition and a comprehensive research website.
Selected works
Lee Krasner: A Biography
Ethics and the Visual Arts, co-edited with Elaine A. King
Becoming Judy Chicago: A Biography of the Artist
Aaron Copland's America, co-authored with Judith Tick
Edward Hopper: An Intimate Biography
Edward Hopper: A Catalogue Raisonne
Theme and Variation: Kandinsky and the American Avant-garde, 1912-1950
Abstract Expressionism: The Formative Years, co-authored with Robert C. Hobbs
Synchromism and American Color Abstraction, 1910-1925
Foundations and interests
Levin was the founding president of the Catalogue Raisonne Scholars Association and she serves on the Academic Advisory Council of the Jewish Women's Archive.