The album was their first without a female vocalist, as Sandy Denny had left to form Fotheringay. Founder member Ashley Hutchings had also left for Steeleye Span, and Dave Pegg had joined on bass. Richard Thompson was to leave the band for a solo career early the following year. As their previous album, Liege & Lief, had reinterpreted a number of traditional folk tunes, so did Full House. Many were sewn into two medleys, "Dirty Linen" and "Flatback Caper". The album also featured the nine-minute track "Sloth", which remained part of the group's live set for many years and has been described as "haunting, moody, dazzling".
Release
The album cover was a non-laminated gatefold sleeve featuring notes by Richard Thompson; these take the form of descriptions of spoof folk-games in which various characters participate, completed by a round-up of eventual scores. For example: Allmusic described the album as "actually more viscerally exciting than its predecessor, Liege and Lief, if not quite as important as that record". Full House entered the British album charts on 18 July 1970, where it stayed for 11 weeks, peaking at number 13. Rolling Stone magazine's reviewer was also enthusiastic, describing the album as "... an English equivalent to The Band... they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they still maintain their roots in rock".
Track listing
Original issue
The original issue of Full House was intended to comprise the following tracks: Test pressings were made following this sequence, but before the album was officially released, Richard Thompson requested that "Poor Will and the Jolly Hangman" be removed, since he was not happy with his guitar solo; this removal was done at such a late stage that the first LP sleeves had already been printed with the song shown on the track listing. A black block had to be printed over the original list with the revised track listing overprinted in gold, but a few sleeves were issued to the public without the overprinting and with the incorrect track listing. All subsequent printings had the corrected track listing despite the fact that the sleeve notes still referred to the missing track.
Actual release
The track ordering of the actual release was:
2001 reissue
In 2001, Island Records re-issued an expanded edition of Full House that followed the original track ordering and included four additional tracks:
"Now Be Thankful"
"Sir B. McKenzie's Daughter's Lament for the 77th Mounted Lancers Retreat from the Straits of Loch Knombe, in the Year of Our Lord 1727, on the Occasion of the Announcement of Her Marriage to the Laird of Kinleakie"
"Bonny Bunch of Roses"
"Now Be Thankful"
"Now Be Thankful" and "Sir B. McKenzie's..." were originally released as a 1970 Island, UK single, WIP-6089. Both songs were recorded on 22 July 1970 at Sound Techniques, London. Fairport Convention's studio recording of "Sir B. McKenzie's..." consisted of "Biff, Bang, Crash", "The Kilfenora", and "Boston Tea Party" ". By the time the single was issued, the band was playing the medley as "Bonny Kate", "The Kilfenora," "Boston Tea Party," and "Biff, Bang, Crash." Within a few years, "Sir B. McKenzie's..." consisted of the amended medley followed by "Tail Toddle". By the late 1970s, the medley also included the traditional tune "Up The Chimney." The title "Sir B. McKenzie's Daughter's Lament For the 77th Mounted Lancers Retreat From The Straits of Loch Knombe, In The Year of Our Lord 1727, On The Occasion of the Announcement of Her Marriage to the Laird of Kinleakie" was the band's attempt to get into the Guinness Book of Records for the longest song title. "Bonny Bunch of Roses", recorded one month after the Full House sessions at Gold Star Studios in Los Angeles, was finally mixed 18 years later, for the release on the Fairport Convention compilation Meet on the Ledge: The Classic Years , issued on A&M Records in 1999. The stereo mix of "Now Be Thankful" was created by Lee Hamblin and Frank Kornelussen and previously released on Island Life, 25 Years Of Island Records in 1988.
Production
Produced by Joe Boyd for Witchseason Productions, Ltd.