The film could not be released originally in Argentina, at that time governed by military dictatorJuan Carlos Onganía. Advised by Jaime Cabouli, a well-known distributor, Bó and Sarli went to New York City with the film's negative.
Critical reception
American film criticRoger Greenspun gave the film a positive review, writing in The New York Times that "Isabel Sarli squeezes more sexual frisson into the space between breathing in and breathing out than most of us could spread over a lifetime of ordinary love-making."
Legacy
Fuego has been considered "a milestone in the history of Argentine cinema" and one of Sarli's "erotic peaks". The relationship between Isabel Sarli and Alba Mujica's characters is one of the first representations of lesbianism in Argentine cinema. Lucía Brackes of Los Andes reflected in 2012 that "Coca is such a whore that she becomes a lesbian, a revolutionary and almost militant idea about the oppressed condition of women." John Waters has declared himself a big fan of Sarli's films, citing Fuego as his favorite. He and Divine were admirers of Sarli and watched her movies in New York City's grindhouses. Waters presented Fuego as his annual selection in the 2002 Maryland Film Festival and featured it in his 2006 Here! network original seriesJohn Waters Presents Movies That Will Corrupt You, where he described it as "a hetero film for gay people to marvel at." The director and Sarli finally met in 2018 on the occasion of the BAFICIfilm festival in Buenos Aires, where he gave her an award for her career and interviewed her on video. In 2010, the Film Society of Lincoln Center paid tribute to Sarli with a retrospective titled "Fuego: The Films of Isabel 'Coca' Sarli", screening five of her films in addition to Diego Curubeto's Carne Sobre Carne: Intimidades de Isabel Sarli, a documentary focusing on her career. Richard Corliss of Time wrote: "Seeing them today, nearly a half-century after they were made, a moviegoer thinks of lurid Hollywood love stories like Duel in the Sun, but with a much higher body temperature, and especially of Latin American telenovelas, those churning mixtures of female concupiscence and narrative coincidence. The world-class Spanish writer-director Pedro Almodóvar learned much from them, though it's not known if he used the Sarli-Bó films as his models."