French literature
French literature is, generally speaking, literature written in the French language, particularly by citizens of France; it may also refer to literature written by people living in France who speak traditional languages of France other than French. Literature written in the French language, by citizens of other nations such as Belgium, Switzerland, Canada, Senegal, Tunisia, Algeria, Morocco, etc. is referred to as Francophone literature. France itself ranks first on the list of Nobel Prizes in literature by country.
For centuries, French literature has been an object of national pride for French people, and it has been one of the most influential components of the literature of Europe.
One of the first known examples of French literature is the Song of Roland, the first major work in a series of poems known as, "chansons de geste".
The French language is a Romance language derived from Latin and heavily influenced principally by Celtic and Frankish. Beginning in the 11th century, literature written in medieval French was one of the oldest vernacular literatures in western Europe and it became a key source of literary themes in the Middle Ages across the continent.
Although the European prominence of French literature was eclipsed in part by vernacular literature in Italy in the 14th century, literature in France in the 16th century underwent a major creative evolution, and through the political and artistic programs of the Ancien Régime, French literature came to dominate European letters in the 17th century.
In the 18th century, French became the literary lingua franca and diplomatic language of western Europe, and French letters have had a profound impact on all European and American literary traditions while at the same time being heavily influenced by these other national traditions Africa, and the far East have brought the French language to non-European cultures that are transforming and adding to the French literary experience today.
Under the aristocratic ideals of the Ancien Régime, the nationalist spirit of post-revolutionary France, and the mass educational ideals of the Third Republic and modern France, the French have come to have a profound cultural attachment to their literary heritage. Today, French schools emphasize the study of novels, theater and poetry. The literary arts are heavily sponsored by the state and literary prizes are major news. The Académie française and the Institut de France are important linguistic and artistic institutions in France, and French television features shows on writers and poets. Literature matters deeply to the people of France and plays an important role in their sense of identity.
As of 2006, French literary people have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country. In 1964 Jean-Paul Sartre was awarded the Nobel Prize in Literature, but he declined it, stating that "It is not the same thing if I sign Jean-Paul Sartre or if I sign Jean-Paul Sartre, Nobel Prize winner. A writer must refuse to allow himself to be transformed into an institution, even if it takes place in the most honorable form."
French Nobel Prize in Literature winners
For most of the 20th century, French authors had more Literature Nobel Prizes than those of any other nation. The following French or French language authors have won a Nobel Prize in Literature:- 1901 – Sully Prudhomme
- 1904 – Frédéric Mistral
- 1911 – Maurice Maeterlinck
- 1915 – Romain Rolland
- 1921 – Anatole France
- 1927 – Henri Bergson
- 1937 – Roger Martin du Gard
- 1947 – André Gide
- 1952 – François Mauriac
- 1957 – Albert Camus
- 1960 – Saint-John Perse
- 1964 – Jean-Paul Sartre
- 1969 – Samuel Beckett
- 1985 – Claude Simon
- 2000 – Gao Xingjian
- 2008 – J. M. G. Le Clézio
- 2014 – Patrick Modiano
French literary awards
- Grand Prix de Littérature Policière – created in 1948, for crime and detective fiction.
- Grand Prix du roman de l'Académie française – created 1918.
- Prix Décembre – created in 1989.
- Prix Femina – created 1904, decided each year by an exclusively female jury, although the authors of the winning works do not have to be women.
- Prix Goncourt – created 1903, given to the author of "the best and most imaginative prose work of the year".
- Prix Goncourt des Lycéens – created in 1987.
- Prix Littéraire Valery Larbaud – created in 1957.
- Prix Médicis – created 1958, awarded to an author whose "fame does not yet match their talent."
- Prix Renaudot – created in 1926.
- Prix Tour-Apollo Award – 1972–1990, given to the best science fiction novel published in French during the preceding year.
- Prix des Deux Magots – created in 1933.
Key texts
Fiction
- Middle Ages
- * anonymous – La Chanson de Roland
- * Chrétien de Troyes – Yvain ou le Chevalier au Lion, Lancelot, ou le Chevalier à la charrette
- * various – Tristan et Iseult
- * anonymous – Lancelot-Graal ', also known as the prose Lancelot or the Vulgate Cycle
- * Guillaume de Lorris and Jean de Meung – Roman de la Rose
- * Christine de Pizan – "The Book of the City of Ladies"
- 16th century
- * François Rabelais – La vie de Gargantua et de Pantagruel
- 17th century
- * Honoré d'Urfé – L'Astrée
- * Madame de Lafayette – La Princesse de Clèves
- 18th century
- * Abbé Prévost – Manon Lescaut
- * Voltaire – Candide, Zadig ou la Destinée
- * Jean-Jacques Rousseau – Julie, ou la nouvelle Héloïse
- * Denis Diderot – Jacques le fataliste
- * Montesquieu – Persian Letters
- * Pierre Choderlos de Laclos – Les Liaisons dangereuses
- * Marquis de Sade – Justine
- 19th century
- * François-René de Chateaubriand – Atala, René
- * Benjamin Constant – Adolphe
- * Stendhal – Le Rouge et le Noir, La Chartreuse de Parme
- * Honoré de Balzac – La Comédie humaine
- * Alexandre Dumas – The Count of Monte Cristo, The Three Musketeers
- * Victor Hugo – Notre Dame de Paris, Les Misérables
- * Théophile Gautier – Mademoiselle de Maupin
- * Gustave Flaubert – Madame Bovary, Salammbô, L'Éducation sentimentale
- * Jules Verne – Vingt mille lieues sous les mers, Voyage au centre de la Terre, Le tour du monde en quatre-vingts jours
- * Edmond and Jules de Goncourt – Germinie Lacerteux
- * George Sand – La Petite Fadette
- * Guy de Maupassant – Bel Ami, La Parure, other short stories
- * Émile Zola – Thérèse Raquin, Les Rougon-Macquart
- 20th century
- * André Gide – Les Faux-monnayeurs, L'Immoraliste
- * Marcel Proust – À la recherche du temps perdu
- * Albert Cohen
- * François Mauriac
- * Louis Aragon
- * Blaise Cendrars
- * André Breton – Nadja
- * Gaston Leroux – Le Fantôme de l'Opéra
- * Roger Martin du Gard – Les Thibault
- * Louis-Ferdinand Céline – Voyage au bout de la nuit
- * Colette – Gigi
- * Jean Genet – Notre-Dame-des-Fleurs
- * Julien Gracq – Le Rivage des Syrtes
- * André Malraux – La Condition Humaine, L'Espoir
- * Albert Camus – L'Étranger
- * Michel Butor – La Modification
- * Marguerite Yourcenar – Mémoires d'Hadrien
- * Alain Robbe-Grillet – Dans le labyrinthe
- * Georges Perec – '
- * Claude Simon - Les Géorgiques
- * Robert Pinget – Passacaille
- * Jean-Paul Sartre – La Nausée, L´Âge de Raison
- * Françoise Sagan – Bonjour Tristesse
- * Antoine de Saint-Exupéry – Le Petit Prince
- 21st century
- * Michel Houellebecq – La carte et le territoire
- * Léonora Miano – La Saison de l'ombre
- * Kamel Daoud – Meursault, contre-enquête
Poetry
- Middle Ages
- * William IX
- * Jaufre Rudel
- * Bernart de Ventadorn
- * Bertran de Born
- * Rutebeuf
- * Jean Froissart
- * François Villon – Le Testament
- La Pléiade
- * Clément Marot
- * Joachim Du Bellay
- * Pontus de Tyard
- * Pierre de Ronsard
- Baroque
- * Agrippa d'Aubigné – Les Tragiques
- * Théophile de Viau
- Classicism
- * François de Malherbe
- * Jean de La Fontaine – The Fables
- * Nicolas Boileau
- Romantism
- * André Chénier
- * Alphonse de Lamartine – Méditations poétiques
- * Alfred de Vigny
- * Victor Hugo – Les Contemplations
- * Gérard de Nerval – The Chimeras
- * Alfred de Musset
- * Charles Baudelaire – Les Fleurs du mal
- Parnassianism
- * Théophile Gautier
- * Leconte de Lisle
- * Théodore de Banville
- Symbolism and Decadence
- * Villiers de L'Isle-Adam
- * Stéphane Mallarmé
- * Paul Verlaine
- * Comte de Lautréamont
- * Arthur Rimbaud – Une Saison en Enfer
- * Paul Valery
- * Paul Fort
- Modernism
- *Charles Péguy
- * Guillaume Apollinaire – Alcools
- * Blaise Cendrars
- * Saint-John Perse – Vents
- Dada and Surrealism
- * Paul Eluard
- * Tristan Tzara
- * André Breton
- * Louis Aragon
- * Henri Michaux
- * Robert Desnos
- * René Char
- Postmodernism
- * Jules Supervielle
- * Jean Cocteau
- * Francis Ponge – Le Parti Pris des Choses
- * Jacques Prévert
- * Raymond Queneau
- Négritude
- * Léopold Sédar Senghor
- * Birago Diop
- * Aimé Césaire
Theatre
- Pierre Corneille - Le Cid, Horace
- Molière – Tartuffe, Le Misanthrope, Dom Juan, L'Avare, Le Bourgeois Gentilhomme, L'École des femmes, Le Malade imaginaire
- Jean Racine – Phèdre, Andromaque, Bérénice, Athalie
- Marivaux – Jeu de l'amour et du hasard
- Beaumarchais – Le Barbier de Séville, La Folle journée, ou Le Mariage de Figaro
- Alfred Jarry – King Ubu
- Edmond Rostand – Cyrano de Bergerac
- Jean Giraudoux – The Trojan War Will Not Take Place
- Jean Anouilh – Becket, Antigone
- Jean-Paul Sartre – No Exit
- Eugène Ionesco – La Cantatrice chauve', Les Chaises, La Leçon, Rhinoceros
- Jean Genet – The Maids, The Balcony
- Samuel Beckett – En attendant Godot, Fin de Partie and other works in French
Nonfiction
- Michel de Montaigne – The Essays
- Blaise Pascal – Les Pensées
- René Descartes – Meditations on First Philosophy, Discourse on Method
- François de La Rochefoucauld – The Maxims
- Jean de la Bruyère - Les Caractères ou les Mœurs de ce siècle
- Louis de Rouvroy, duc de Saint-Simon - Mémoires
- Jean-Jacques Rousseau – Discourse on the Arts and Sciences, The Social Contract, Les Confessions
- François-René de Chateaubriand – Genius of Christianity, Memoirs from Beyond Grave
- Alexis de Tocqueville – Democracy in America
- Frédéric Bastiat – The Law
- Jules Michelet – Histoire de France, La Sorcière
- Henri Bergson – Creative Evolution
- Albert Camus – The Myth of Sisyphus
- Jean-Paul Sartre – Existentialism is a Humanism, Being and Nothingness
- Simone de Beauvoir – The Second Sex
- Claude Lévi-Strauss – Tristes Tropiques
- Emil Cioran – A Short History of Decay, The Trouble with Being Born and other works in French
- Paul Ricœur – Freedom and Nature. The Voluntary and the Involuntary
- Michel Foucault – Discipline and Punish
- Pierre Bourdieu – La Distinction
Literary criticism
- Nicolas Boileau
- Charles-Augustin Sainte-Beuve
- Hippolyte Taine
- Jacques Lacan
- Maurice Blanchot
- Paul Bénichou
- Roland Barthes
- Jean Ricardou
- Paul Ricœur
- Michel Foucault
- Jean-François Lyotard
- Jacques Derrida
- Julia Kristeva
Poetry
- Parnassianism
- Romanticism
- Symbolism