Franciscus Hermanus Bach, officially Bachg, was a Dutch painter. Bach was born in the city ofGroningen in the Netherlands as the son of the smith Johann Caspar Bachg, who had migrated to the Netherlands from Haselünne in Germany. The official spelling of his surname was Bachg but it is reported that Bach himself only realised this late in life. He usually signed his work as "F.H. Bach" or "F.H.B.".
From pupil to teacher
At the age of 11 Bach took evening classes at the Academie Minerva, an art school in Groningen. Two years later he received a bronze medal for drawing. In 1882 he was made a drawing teacher at the, the first Dutchschool for the deaf, in Groningen, although he had not yet completed his studies. In 1884 he passed his drawing exam and was awarded the Grote Koninklijke Medaille for anatomy and the Zilveren Academie Medaille for ornamental design. Johannes Hinderikus Egenberger, the directeur of the Academie Minerva, persuaded the board of the Academie to accept Bach as a master at the age of 19, which he remained for 43 years Bach was regarded as one of the most stimulating teachers at the Academie Minerva, where some of his pupils were Jan Altink, Albert Hahn, and. In 1918 a number of his old pupils grounded the artist collectiveDe Ploeg. He had a significant influence on the artistic development of important members of De Ploeg. Bach was a member of Arti et Amicitiae and, for some years, of De Ploeg.
His work as a painter
In his work as a landscape and portrait painter, Bach can be considered an impressionist of the Hague School. He painted nineteen portraits of professors for the senaatskamer in the Academiegebouw of the University of Groningen. Bach also made numerous stations of the cross and murals for Roman Catholic churches in the North, East and South of the Netherlands, such as the, the and the. Bach also painted a number of ceramic tableaux, which were erected in the hall of the main railway station in Groningen in 1896. Bach died at the age of ninety and was buried in the Roman Catholic cemetery in Groningen under a tombstone of his own design. The artist wrote of this: "Being the eccentric that he was, he had his own tombstone made while still alive: on this stone he built his spiritual legacy: the formula that he had devised for a new form of the catholic church."
