Flatulist


A flatulist, fartist, or professional farter is an entertainer often associated with a specific type of humor, whose routine consists solely or primarily of passing gas in a creative, musical, or amusing manner.

History

There are a number of scattered references to ancient and medieval flatulists, who could produce various rhythms and pitches with their intestinal wind. Saint Augustine in City of God mentions some performers who did have "such command of their bowels, that they can break wind continuously at will, so as to produce the effect of singing." Juan Luis Vives, in his 1522 commentary to Augustine's work, testifies to having himself witnessed such a feat, a remark referenced by Michel de Montaigne in an essay.
The professional farters of medieval Ireland were called braigetoír. They are listed together with other performers and musicians in the 12th century Tech Midchúarda, a diagram of the banqueting hall of Tara. As entertainers, these braigetoir ranked at the lower end of a scale headed by bards, fili, and harpers.
One late medieval flatulist is mentioned in an entry in the 13th-century English Liber Feodorum or Book of Fees. It lists one Roland the Farter, who held Hemingstone manor in the county of Suffolk, for which he was obliged to perform "Unum saltum et siffletum et unum bumbulum" annually at the court of King Henry II every Christmas. The Activa Vita character in the 14th century allegorical poem Piers Plowman appears to number farting among the abilities desirable in a good entertainer in general, alongside storytelling, fiddling, or playing the harp. This poem translates to "As for me, I can neither drum nor trumpet, nor tell jokes, nor fart amusingly at parties, nor play the harp."
In Japan, during the Edo period, flatulists were known as "heppiri otoko", lit. "farting men."
Also see He-gassen for Edo-period art scrolls depicting "farting competitions".

Notable flatulists