1876 – shortly after he took office as a municipal inspector of art education and after the beginning of his work as an art teacher at the Petrischule in Leipzig – Flinzer summarized his accumulated practical knowledge in his textbook called Lehrbuch des Zeichenunterrichts. This work made him known also in other European countries and in America. Because of his textbook Flinzer was referred as a forerunner of the so-called Kunsterziehungsbewegung, part of the Progressive education movement. Flinzer joined issues with the leading representatives of this movement. In consequence of the Kunsterziehungsbewegung his influence waned.
Artist
Rooted in the art of Biedermeier and Romanticism, Flinzer later created works with clear traces of Historicism and with hints of Art Nouveau. His artistic preference was for the animal world, his passion were cats. This was the reason for his nicknames Katzen-Flinzer or Saxon Raphael of Cats. Characteristic for Flinzer's art is the humanized and satirical depiction of animals, partly in the style of Wilhelm von Kaulbach and Grandville. In Flinzer's early years oil paintings and frescos emerged such as for the Webschule in Chemnitz. Examples for his commercial art work are the Cat, a world-famous brand for Hoffmann's Stärkefabriken in Bad Salzuflen, and designs for toys of the Dresdner Werkstätten. Flinzer also illustrated oval Playing cards. Apart from this the illustrator Flinzer worked for an adult audience, as in the family magazines Die Gartenlaube and Daheim. Over and above, illustrations for hundreds of children, youth and picture books came into being. Flinzer's main work is the picture bookKönig Nobel, a continuation of the famous Reynard the Fox published in collaboration with the German author Julius Lohmeyer. Other writers, with whom Flinzer worked, are Frida Schanz, Victor Blüthgen, Georg Christian Dieffenbach, Johannes Trojan, Edwin Bormann and Georg Boetticher, the father of Joachim Ringelnatz. Finally, Flinzer's contributions to the influential youth magazine Deutsche Jugend have to be mentioned; for example, he illustrated the first edition of Theodor Storm's story Lena Wies for this periodical. Further, Flinzer contributed to a well-known British publication for young people called Aunt Judy's Magazine. Flinzer was a member of the Leipzig artist association Leoniden. Among his pupils were the graphic designer Hans Domizlaff, the landscape painter Arthur Feudel, the sculptor Albrecht Leistner as well as the artist and KGB agent Gerd Kaden.
Aftermath
Inspired by a picture-book illustration of Flinzer, the Austrian artist Christian Ludwig Attersee created his provocative work Kinderzimmertriptychon. In 1989 Nayland Blake combined a drawing by Flinzer from the Deutsche Jugend with a phrase he wrote and laid out in type. This work is, without any hint on Flinzer's authorship, in the collection of the San Francisco Museum of Modern Art today.
Memorial and Medal
Flinzer's grave was located in the New St. John's Cemetery in Leipzig. In 1914 the sculptor Johannes Hartmann completed his Fedor Flinzer monument for this grave. The medailleur Adolf Lehnert designed a medal in Flinzer's honor.
Enciclopedia Universal Ilutrada Europeo-Americana, Tomo XXIV, Madrid 1924, 83
Fedor Bochow, Volker Ladenthin, Maria Linsmann: Kinder, Katzen, Kunst. Der Bilderbuchkünstler Fedor Alexis Flinzer. Burg Wissem – Bilderbuchmuseum, Troisdorf 2003,
Fedor Bochow: Flinzer, Fedor Alexis, in: Saur Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker, Bd. 41, München/Leipzig 2004, 254–256
Fedor Bochow: Flinzer, Fedor, in: Sächsische Biografie. Herausgegeben vom Institut für Sächsische Geschichte und Volkskunde, bearb. von Martina Schattkowsky
