He was born in Gdynia. After World War II his family moved to Lębork where he spent his childhood. He started artistic education in 1957 at Graphical Secondary School in Wrocław and continued studying at Academy of Fine Arts in Warsaw with the professors Juliusz Studnicki and Artur Nacht-Samborski. In 1969 he founded the artistic group Arka and in 1972 he transformed it into a bigger generational movement known by the name O Poprawę with which he organized 9 group expositions. In the 1980s he co-founded the multidisciplinary art groupŚwiat and organized 18 group expositions. In the 1990s he passed several years in France where he founded the artistic association ARA and organized several group exhibitions of modern Polish art. Between 1991 and 2012 worked as a Professor of Art at UWM in Olsztyn. Since 1990 he organized many happenings popularizing modern art among non specialized public. He practiced speed and time painting and invited spectators to paint with him at informal places, such as commercial centers or streets. The works created in such a way were later exhibited in art galleries. In 2005 in Belchatow he beat the Guinness World Record for the 24-hour-long-painting. He painted 100 works measuring 80 cm x 100 cm based on previously performed sketches. He lived and worked in Warsaw and in Olsztyn. He has had more than 50 solo shows of his works and he has participated in over 200 group exhibitions. His paintings are held by major museums of Poland, as well as by private collectors in Poland and all around the world. Małkowski died in hospital in Zamość, Poland on 20 August 2016.
Work and style
At the beginning of his career he reinvented graffiti technique applying it with stencil brushes on canvas, in a method known as tapping. In his early paintings he was depicting fantastical and heavenly backgrounds populated with stenciled human profiles, transparent spheres or outlined hands. Later he added some other irregular forms tending towards the lyrical abstraction. The names of his works were metaphorically commenting his reality, «Krzyk». In the 1980s he introduced figurative elements and started experimenting with space division of art work. Furthermore, he implemented collage techniques mixing them up with graffiti. In the 1990s he abandoned tapping replacing it with so-called speed painting techniques. He became closer to the basis of abstract expressionism reproducing persons or situations in a spontaneous, automatic and almost subconscious way. In the first decade of the 21st century he moved back to the graffiti technique superposing multicolor stencils of human shapes on monochromatic background. In 2010 in Olsztyn he exhibited a series of 44 female nudes painted in several short sessions mixing up speed painting and realistic techniques. The last nude was painted by the artist in public exhibition during the opening day.
