The Ensoniq Mirage is one of the earliest affordable sampler-synths, introduced in 1984. As Ensoniq's first product, it became a best-seller. It was priced below with features previously only found on more expensive samplers like the Fairlight CMI.
There are three versions of the Mirage. The first has a spongy-feeling keyboard and large square black buttons. The second has a better-weighted feel keyboard and small calculator-like buttons. The third is shorter and uses the same plastic case as the SQ-80 and the EPS, has a non-weighted keyboard and sold for about $1300 USD. A 2U rack-mounted version was also produced. After the launch of the EPS in 1988, Ensoniq cut the price of the Mirage to $899, making it by far the cheapest sampler then available. The Mirage is an 8-bit sampler featuring a 61 key velocity-sensitive keyboard, a two-digit LED display, extensive MIDI implementation, analog filters, a 333-event sequencer. It has 128kB of RAM and it is not expandable. Sample rate is variable from 10 kHz to 33 kHz with available sample time ranging from 2 to 6.5 seconds accordingly. It includes a built-in 3.5 inch SS/DD floppy disk drive, which is used to boot the operating system as well as to store samples and sequences. Each disk has a copy of the operating system and can be used as a boot disk, obviating the need for a separate boot disk. Each disk stores six samples and up to eight sequences. The keyboard is pre-configured into two halves, each functioning as two independent instruments, though the split point can be moved. This makes it easy to have one sound for the righthand and another for the left. However, the standard OS can not move samples between keyboard halves. Thus the diskette can save three upper sounds and three lower sounds. Ensoniq later made an alternative OS available called MASOS which trades off performance features for editing features, including the ability to copy an upper sound to a lower sound and vice versa. Using a feature called multi-sampling, the Mirage is also capable of assigning multiple samples to different keys across its keyboard. Using this technique, the Mirage essentially turns into a polyphonic mult-timbral MIDI sound module complete with a velocity-sensitive keyboard that can be used to drive other MIDI sound modules as well its own sound engine. The Mirage sampler has become a minor sought-after item due to the distinctive sound of its low bitrate converters, although not as desirable as similar-sounding samplers such as Akai's MPC60 and S900 due to its complex hexadecimal-based programming. Many industrial producers have championed the Mirage for its abrasive sound qualities.
