Born in Paso Yobái in the Colonia Independenciadistrito in the Guairá Department of Paraguay on January 4, 1934, he was introduced to the harp by a friend of his family and began playing as a child. He joined his first musical group, "Los Cardenales", with Cayo E. Cristaldo, Marciano Trinidad, Pedro Román, and Antonio Álvarez Martínez, as a young man, playing venues around Argentina. After he completed his primary education, he served his mandatory military service in the Segunda Región Militar de Villarrica, where his skills as a musician were employed on birthdays and for serenades. With Alejandro Franco and Julio Ortiz Arias, in 1956 he joined the trio "Amerindia" taking the place of Rubén Sanabria. In 1957, he began performing as a soloist in Uruguay, which provided him an opportunity to work with musicians such as guitarist Abel Carlevaro. While playing in Uruguay with "Amerindia", Samaniego introduced the "ambas manos" technique, which he said was born of the need to cover the absence of a second player, so that the public would not notice. In 1964, with Juan B. Mora and Tito Ávalos, he formed a trio called "Los Trés del Paraguay" and began touring the countries neighboring Paraguay, recording more than 12 LP records for RCA Victor and Marpar labels. He next formed a trio called "Los Folkloristas de América", first with Darío Benítez and "Churí" González, and later with Ramón Estigarribia and Alfredo Mora, performing at festivals, and performing live for radio and television events, including Radio Paraguay, the national station. In the 1970s he recorded a duet with harpist María Cristina Gómez Rabito, and worked as a soloist. In the late 1970s, his song Marcha de los Ex-Combatientes received the first prize for composition in the first Festival del Arpa organized by Paraguay Ñe’é. In addition to playing the Paraguayan harp, Samaniego made them, and he was also a harp instructor, dedicating the last active years of his life to teaching. In 2003, the government of Paraguay granted Samaniego a "pensión graciable" of Gs. 1,000,000 monthly in recognition of his status as a "national artist." He died on March 26, 2005 at the Military Hospital in Asunción, Paraguay and was interred in the Panteón de Autores Paraguayos Asociados in the Cementerio de la Recoleta in Asunción. When his widow received a pensión graciable in 2007, Samaniego was described as a "folklorista Paraguayo" in recognition of the importance of his music to Paraguayan culture.
Personal
Born Rigoberto Samaniego González, he was a son of Desiderio Samaniego López and Carmen González Gavilán; he married Arminda Ocampos Carvallo with whom he had a son.
Works
Samaniego recorded two LPs with "Amerindia"; eight with "Los Trés del Paraguay"; two with "Los Folkloristas de América"; one with María Cristina Gómez Rabito; and a number of cassettes with Aparicio González and others. Among his most popular compositions are: Karaí Chivé, A Villa Pastoreo, El Boyerito, A mi Madrecita, Azucena del Oriente, Brisa Guaireña, Clelia Carolina, Colonia Independencia, Paso Yobái, Despertar de mi Aldea, Danza del Colibrí, Nostalgia Maternal, Ko´ë Koyguá, and Estrellas de mi Asunción.
Discography[Discogs]: ''Enrique Samaniego'', https://www.discogs.com/artist/1876880-Enrique-Samaniego. Retrieved April 8, 2018.
Famosas Melodias del Paraguay
Label: Orfeo; Format: LP; Country: Uruguay, Genre: Folk
