Edward Carey (novelist)


Edward Carey is a playwright and novelist. He has written several adaptations for the stage, including Patrick Süskind’s The Pigeon and Robert Coover’s Pinocchio in Venice. His own plays include Sulking Thomas and Captain of the Birds. He collaborated with Eddin Khoo on the wayang kulit translation of Macbeth called Macbeth in the Shadows.

Biography

Carey attended the Nautical College, Pangbourne, as did his father and grandfather. He did not enlist in the Royal Navy, however. Instead, he participated in the National Youth Theatre and attended the University of Hull, earning a degree in drama in 1991.
As a young Man, Carey worked in Madame Tussauds wax museum, which would figure into his historical novel, Little.
Carey attended the University of Iowa International Writing Program and taught at the Iowa Writers' Workshop.
He has lived in many European locations, but, in 2006, he took up permanent residence in the United States, settling in Austin where he teaches at the University of Texas. He is married to the writer Elizabeth McCracken.

Reviews

"Though Edward Carey seems to intend his first novel, Observatory Mansions, to be an unsentimental, surrealist romance, it's really a paean to loneliness. For the book is never so interesting as when its characters are despairing and alone. All goes well then for the first hundred pages, where Carey lays out the solitude housed in Observatory Mansions, a greying apartment building where Francis Orme, the book's narrator, cultivates a secret life of stillness and theft."

"From Richardson to Dickens to Ackroyd, English literary fiction seems to favour the elephantine. Miniaturists – Austen, Pym perhaps, Brookner – are rarer, less typical. Edward Carey is most decidedly a miniaturist. "Miniature things move people," he remarks, two dozen pages into his second novel; and again, a similar distance from the end."

"An imaginary city: this is a time for such a vision, especially for New Yorkers, whose city has always been in flux, though perhaps never more painfully and self-consciously than today. Entralla, the fictitious metropolis at the heart of Edward Carey's second novel, exists not only in our imagination and in the pages of Alva & Irva but in the form of tiny plasticine models of its streets and houses, seen in the appealingly smudgy photographs that punctuate the novel. A re-creation of Entralla also appears in the story of Alva & Irva, since the twins of the book's title are the designer and sculptor, respectively, of their native city in miniature."

Works

Awards