A mother questions her son about the blood on his sword. He puts her off with claims that it is his hawk or his horse, in some combination, but finally admits that it is his brother, or his father, whom he has killed. He declares that he is leaving and will never return, and various creatures will have to fare without him. His mother then asks what she will get from his departure. He answers "a curse from hell" and implicates his mother in the murder.
Parallels
This ballad may not be complete in itself. Large portions of the ballad are also found in the longer ballads "The Twa Brothers" and "Lizie Wan".
Parallels in other languages
This ballad type was also found in Northern Europe, where it is often known under "Svend i Rosensgård" or a similar name. Its general Scandinavian classification is TSB D 320, and it is known in Danish, Icelandic, Norwegian, and Swedish. In Finland, it is popular as "Poikani Poloinen", both as a poem and as a song, first published in the collection Kanteletar. In the Scandinavian versions, and the Finnish one, the stress is more on the gradual divulge of the fact that the son will never return home to his mother.
The authenticity of one popular version of this ballad has been called into question. This version originally appeared in print in Bishop Percy's 1765 edition of Reliques of Ancient English Poetry. Percy reported that he received this Scottish ballad from Sir David Dalrymple, who said he heard it from an unnamed lady. This version appears inauthentic because it seems, in short, too "good": it makes exceptional use of literary devices for maximum impact. Moreover, unlike most other versions, the father is the victim rather than the brother, and the mother receives a curse at the end. There is also little evidence that this version was disseminated orally; it seems to have appeared most often in print form.
Adaptations
Carl Loewe set a German translation of Percy's version to music in his Op. 1, No. 1.
Franz Schubert also used Percy's version in his "Eine altschottische Ballade" D. 923.
Johannes Brahms was inspired by Percy's version of "Edward" twice in his ballades, in opus 10 and opus 75, no. 1.