The obverse of the notes depict a neoclassical allegorical motif, which dominates the front of the note. The motifs are meant as representations of the theme written on the note. The back contained the profiles of two American figures set against an ornate background. Denominations of $1, $2, and $5 were produced. In addition to $1, $2 and $5 notes denominations of $10, $20, $50, $100, $500 and $1000 were also planned. Designs for a $10 and $50 denomination were being prepared but were never completed or produced before the series was abandoned and replaced by the series of 1899. The term "Educational" is derived from the title of the vignette on the $1 note, History Instructing Youth.
Design and production credits
$1 History instructing Youth Front Face Designer: Will Hicok Low Engraver: Charles Schlecht Rear Back Designer: Thomas F. Morris George Washington Vignette Engraver: Alfred Sealey Martha Washington Vignette Engraver: Charles Burt $2 Science presenting steam and electricity to Commerce and Manufacture Four artists were commissioned by the BEP to produce key artwork including E. H. Blashfield, Will H. Low, C. S. Reinhart, and Walter Shirlaw. Other design and engraving work is as follows. Central Vignette Designer: E. H. Blashfield Central Frame and Background Designer: Thomas F. Morris Vignette Engraver: George F. C. Smillie Border Engraver: Charles Schlecht Rear Back Designer: Thomas F. Morris Robert Fulton and Samuel F.B. Morse Vignette Engraver: Lorenzo J. Hatch $5 Electricity as the Dominant Force in the World Central Vignette Designer: Walter Shirlaw Border Designer: Thomas F. Morris Central Vignette Engraver: G. F. C. Smillie Border Engraver: Thomas F. Morris Rear Back Designer: Lorenzo J. Hatch and Thomas F. Morris Rear Back Engraver: G. F. C. Smillie Ulysses S. Grant and Phillip Sheridan Vignette Engraver: Lorenzo J. Hatch
Controversy
The naked breasts of the female figures on the $5 silver certificate reportedly caused some minor controversy when several Boston society ladies took offense to the design. Some bankers reportedly refused to accept the notes in transactions, and the term banned in Boston allegedly originates from the $5 silver certificate. In response, the Bureau of Engraving and Printing prepared a "draped" bosom $5 vignette design for a proposed 1897 series. The redesign also included a highly modified front face but was never utilized. Also for the first time in 1893, Bureau authorities invited a small group of outside artists and engravers to submit design proposals for the new series of notes. The presence of the outside group caused tremendous creative problems within the BEP. Great personality conflicts and jealousy could be one reason that, although the $1 design was approved in July, 1894, the remaining two notes were not accepted until late 1895. At one point during the process, BEP designer Thomas Morris resigned. Coupled with being banned in Boston, the notes were quickly replaced by the Series of 1899 notes.
