Ebony White
Ebony White is a fictional character from the 1940s syndicated newspaper comics series The Spirit, created by Will Eisner. He first appeared in the June 2, 1940 debut instalment of The Spirit and became one of the three major characters in the first nine years of The Spirits twelve-year run, until being phased out in late 1949. He is a black sidekick to Denny Colt, the title character. His age is ambiguous: throughout most of his nine-year run he's portrayed as a resourceful young boy around twelve years of age, while at the beginning of the strip he is clearly an adult who drives a taxi. He frequently helps The Spirit out of tough situations.
Racial connotations
The character is cited as an example of racial stereotyping in mainstream 20th century United States culture. His name is a racial pun and his short stature and exaggerated facial features - which include large white eyes and thick pinkish lips - are typical of the era's darkie interpretation of blacks. He is routinely depicted as being less than five feet tall and resembles a stereotypical pickaninny. As a loyal assistant to the hero, he has been compared by a few critics to the classic/infamous Uncle Tom stereotype. However, the storyline refers to the character as The Spirit's unofficial ward/work partner, with the two sharing a home life in their Wildwood Cemetery headquarters, located beneath Denny Colt's tombstone. Despite his exaggerated, caricatured appearance & speech patterns, Ebony is always treated with respect by his fellow cast-members and he develops beyond his comic-relief minstrel stereotype as the series progresses. Eisner later introduced other non-caricature African-American characters, such as the no-nonsense Detective Grey, who defied the media stereotypes of the day. Some of the later Ebony-era instalments show The Spirit and the Dolan family sponsoring Ebony's formal education.Eisner reported receiving letters of both praise and criticism for the character at the time. In a 1966 New York Herald Tribune feature by his former office manager-turned-journalist, Marilyn Mercer, Mercer stated that "Ebony never drew criticism from Negro groups, perhaps because, although his speech pattern was early Minstrel Show, he himself derived from another literary tradition: he was a combination of Tom Sawyer and Penrod, with a touch of Horatio Alger hero, and color didn't really come into it".
Eisner later expressed mixed feelings about his portrayal of Ebony White. He acknowledged that he was conscious at the time that he was using a racial stereotype but remained unapologetic about it, stating that "at the time humor consisted in our society of bad English and physical difference in identity." In reference to his graphic novel Fagin the Jew, Eisner acknowledged parallels between Charles Dickens' use of racial stereotyping for the Fagin character and Eisner's own portrayal of Ebony White but asserted that his own work had not "capitalized on" the stereotype.
Strengths and personality
Appearances aside, Ebony was a well-heeled performer in The Spirit's efforts. Many are the occasions where Ebony disarms a villain and finds minutiae evidence The Spirit himself has overlooked. Although appearing to be about twelve years of age, Ebony is able to drive a car and occasionally works as a taxi driver; his occupation has given him an encyclopedic comprehension of Central City. In many stories, Ebony exhibited above average knowledge of science; for example, in one installment he constructed a Morse Code transmitter using a standard light bulb socket and an electric alarm. Ebony and The Spirit develop a son/father bond very early in the life of the strip and this is maintained through to Ebony's final appearance. The Spirit, Commissioner Dolan, Ellen Dolan and the Central City police force in general all hold Ebony noteworthy for his skill at field research and his instinctive understanding of human nature. Ellen and the police all consider Ebony as much their personal charge as he is The Spirit's, providing him with a loving family unit and appreciating his participation in crime-solving.Appearances
Ebony debuted in the first-ever Spirit Section, published Sunday June 2nd 1940 and distributed in the Sunday editions of Register and Tribune Syndicate newspapers. He became a mainstay of the strip and the principal member of The Spirit's supporting cast, alongside Commissioner Eustace P. Dolan, until Eisner phased him out of the narrative in late 1949 and replaced him with another assistant, the Caucasian and blond-haired but far-less-capable Sammy. Ebony's last "starring" role in a Spirit story was "Young Dr Ebony" published on Sunday May 29th 1949.Sammy first appeared in "The Ballgame" published on Sunday July 31st 1949. Sammy returns to Central City with The Spirit in "The Return" published Sunday August 14th 1949. Ebony makes two wordless one-panel appearances over the next two weeks, in "The Candidate" published Sunday August 21st 1949 and "White Cloud" published August 28th 1949, before making his final appearance in five panels of "Lurid Love" published Sunday September 18th 1949.
After this Eisner phased Ebony out of The Spirit Section altogether and Sammy functioned as The Spirit's assistant for the strip's final three years, until The Spirit Section came to an end in October 1952.
Ev'ry Little Bug
Ebony is credited as the composer of the song "Ev'ry Little Bug" - which appeared regularly in the background of The Spirit Section between 1946 and 1950. The initial lines of the song were first uttered during the story "Poole's Toadstool Facial Cream" in June 9, 1946's Spirit Section and, by the end of 1946, all of the song's lyrics had appeared, sung by various characters in Central City. During 1947, Will Eisner collaborated with his WWII service buddy Bill Harr, who composed a melody for Eisner's lyrics. The completed song appeared in the April 27, 1947 Spirit Section, entitled "Ev'ry Li'l Bug" - a tale in which Ebony composes the song and the sheet music appears on the final page of the story. A couple of months later, in the June 29, 1947 section, Ebony persuades real-life operatic singer Robert Merrill to sing the tune. Shortly after this section appeared, "Ev'ry Little Bug" was published by the Robbins Music Corporation of New York as sheet music. After three more appearances in the strip, "Ev'ry Little Bug" remained dormant until 1987, when music producer John Christensen assembled a recording featuring five versions of the tune, released by Kitchen Sink as a picture disc with an exclusive Spirit/Ebony image illustrated by Eisner. The record featured Billy Mumy playing guitar on some of the tracks.In total, "Ev'ry Little Bug" featured in twelve Spirit Sections:
- June 9, 1946 - "Poole's Toadstool Facial Cream"
- July 7, 1946 - "Dulcet Tone"
- October 13, 1946 - "The Heart of Rosie Lee"
- December 15, 1946 - "The Van Gaul Diamonds"
- December 29, 1946 - "Hubert The Duck"
- February 2, 1947 - "The Cosmic Answer"
- March 16, 1947 - "Hoagy the Yogi"
- April 27, 1947 - "Ev'ry Li'l Bug"
- June 29, 1947 - "Wiffenpoof"
- August 17, 1947 - "The Picnic"
- March 27, 1949 - "The Dummy"
- April 30, 1950 - "Wanted, Dangerous Job"
Present
The character also appears in Brian Azzarello's neo-noir First Wave universe, once again as the sidekick of The Spirit. Here Ebony is portrayed as a teenage girl rather than a young boy.
In the 2015 series Ebony White's real first name is "Aloysius" and now a Private investigator working with a boy named "Sammy Strunk" and his cousin Francis "Bolder" White.
In other media
Ebony appears as a character named "Eubie" in the 1987 Spirit TV movie, played by Bumper Robinson. Here, he is a young hustler who becomes The Spirit's sidekick following Denny Colt's awakening.The character did not appear in the very-poorly-received December 2008 motion picture adaptation of Will Eisner's series.