Domenico Gilardi


Domenico Gilardi, was an Italian architect who worked primarily in Moscow, Russia in Neoclassicist style. He was one of key architects charged with rebuilding the city after the Fire of 1812. Gilardi’s legacy survives in public buildings like Moscow Orphanage, Widows’ House, Catherine’s Institute and the Old Hall of Moscow University.

Early life

The Gilardi family of architects, originally from Ticino, established itself in Russia in the middle of the 18th century. Domenico’s father Giovanni, also known as Ivan Dementievich, was well known in Moscow. Domenico was born in Montagnola and lived there until his mother brought him to Russia in 1796.
Domenico longed for a career in painting, so in 1799, his father sent him to an Italian workshop in St.Petersburg. After the death of Paul I, dowager Empress Maria Feodorovna awarded him a scholarship, and eventually a state-financed study tour to Italy. From 1803-1810 Domenico studied art in Milano, Florence, Venice and Rome.
Domenico returned to Russia in June 1810, and in January 1811 joined his father, who was the architect of the enormous Moscow Orphanage. The first two stages of this enormous structure, conceived by educator Ivan Betzkoy, were completed in 1764-1781 and required continuous additions and improvements. Domenico remained in the employ of the Orphanage for the rest of his career.

Professional career

In 1812, after the Battle of Borodino, Gilardis fled Moscow. The city burnt down in September 1812; the disaster created a wealth of opportunity for architects. In 1813, Domenico joined the Kremlin Building Commission, restoring Ivan the Great Bell Tower and other war losses. In 1817, his father retired and returned to Ticino; Domenico inherited his job as lead architect of The Orphanage.
, Moscow
In 1817-1819 he completed his first independent job, reconstruction of Matvei Kazakov’s University in Mokhovaya Street. Gilardi retained the basic floorplan, but considerably changed exterior styling. In 1818, he also received commissions to rebuild the Widows’ House and Catherine’s Institute. In a very short time, Gilardi concentrated the efforts to restore the four largest public buildings in the city, with the aid of Afanasy Grigoriev, a recently emancipated serf architect.
Gilardi's style goes back to the Milano variety of Empire Classicism, Luigi Cagnola and in particular Antonio Antolini's Bonaparte Forum. Grigoriev later followed the same canon. Gilardi's architectural talent is disputed, but his success in construction management and ability to lead concurrent major projects is unquestionable.
His first work in new construction was the Board of Trustees building, a new block on the Orphanage lot. It was followed by private commissions from the Gagarin and Golitsyn families. In 1826-1832, Gilardi supervised the rebuilding of Slobodskoy Palace in Lefortovo, a subsidiary of the Orphanage. Grigoriev replaced his when Gilardi travelled to Europe and back.
After less than twenty years of active practice, Gilardi retired and left for Switzerland in 1832. Back home, he completed only one project – a chapel near Montagnola.
Giliardi's students and junior partners continued work in Moscow:
New Construction
Reconstruction