Dennis Severs' House in Folgate Street, London is a "still-life drama" created by the previous owner Dennis Severs as a "historical imagination" of what life would have been like inside for a family of Huguenot silk weavers. It is a Grade II listedGeorgianterraced house in Spitalfields in the East End, Central London, England. From 1979 to 1999 it was lived in by Dennis Severs, who gradually recreated the rooms as a time capsule in the style of former centuries. It is now open to the public. The motto of the house is Aut Visum Aut Non!: "You either see it or you don't."
The house is on the south side of Folgate Street and dates from approximately 1724. It is one of a terrace of houses built of brown brick with red brick dressings, over four storeys and with a basement. The listing for the house, compiled in 1950, describes No 18 as having a painted facade, and that the first floor frames are enriched with a trellis pattern.
History
Dennis Severs was drawn to London by what he called "English light", and made his home in the dilapidated property in Folgate Street in 1979. This area of the East End of London, next to Spitalfields Market, had become very run-down, and artists had started to move in. Bohemianvisual artistsGilbert & George added to the flavour of the neighbourhood; resident there since the late 1960s, they also refurbished a similar house. Severs started on a programme to refurbish the ten rooms of the house, each in a different historic style, mainly from the 18th and 19th centuries. The rooms are arranged as if they are in use and the occupants have only just left. There are therefore displays of items such as half-eaten bread, and different smells and background sounds for each room. Severs called this "still life drama" and wrote: Woven through the house is the story of the fictional Jervis family, originally Huguenot silk weavers who lived at the house from 1725 to 1919. Each room evokes incidental moments in the lives of these imaginary inhabitants. Writer Peter Ackroyd, author of London: the biography, wrote: Writer and illustrator Brian Selznick used the house as an inspiration for his 2015 novel The Marvels. The book concludes with a short history and photographs of Dennis Severs. Many of the characters names and story lines are similar to the museum. Jeanette Winterson, who also restored a derelict house nearby to live in, observed, "Fashions come and go, but there are permanencies, vulnerable but not forgotten, that Dennis sought to communicate". Painter David Hockney described the house as one of the world's greatest works of opera. Severs bequeathed the house to the Spitalfields Historic Buildings Trust, an architectural preservation charity, shortly before his death. It is now open to the public, who are asked during their visit to respect the intent of the creator and participate in an imaginary journey to another time.
