The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York. The City leases the theater to Lincoln Center for the Performing Arts, Inc., which subleases it to City Center of Music and Drama, Inc.. The present corporation of CCMD continues to manage the theater today. Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid 1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel ; Annie Get Your Gun ; Show Boat; and South Pacific. In July 2008, oil-and-gas billionaire David H. Koch pledged to provide $100 million over the next ten years to renovate the theater and provide an operating and maintenance endowment. The facility became the David H. Koch Theater at the New York City Ballet Winter gala, November 25 of that year. The theater is to bear his name for at least fifty years, after which it may be renamed; the Koch family retains the right of first refusal for any renaming. Some people continue to refer to the theater by its original name.
Building features and renovation
The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling. JCJ Architecture of New York City designed renovations with Schuler Shook as theater consultants. In patron areas, the plan replaced and reconfigured all seats and carpeting. The reconfiguration created two aisles in the orchestra level, which previously featured continental-style seating, with no center aisles. It also upgraded restrooms to make them ADA compliant. Work backstage included a new stage lighting system, expansion of the orchestra pit, and a mechanical lift in the pit floor allowing it to be raised to stage level when needed. The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou and Reuben Nakian.
