David Bash


David Bash is the founder and CEO of the International Pop Overthrow Music Festival, which is held annually in 13-16 cities around the world, including Los Angeles, San Francisco, Portland, Seattle, Phoenix, Chicago, Nashville, Atlanta, Austin, Boston, New York, Philadelphia, Arlington, Toronto, Vancouver BC, Stockholm Sweden, and Liverpool UK. The festival is dedicated to bring classic pop music to the public. Although the festival has over the years featured several major label acts, such as Phantom Planet, Maroon 5, and The Click Five, Bash tries to maintain the grassroots feel of the festival by featuring primarily unsigned bands, and presenting them in a festival platform with similar minded artists, where they will be appreciated by both the festival audiences and by each other. Bash personally selects all the artists. Each year, Bash produces a CD compilation on the label featuring bands that have played in any of the cities in which the festival has appeared.

Early life and formative years

Bash was born in Poughkeepsie, New York, on September 2, 1958, and grew up listening to 1970s top 40 radio on stations like WABC AM and 99X FM. He made the transition to album oriented radio in 1975, with stations like WPLJ FM and WNEW FM. By the time of his graduation from New York University in 1981, with a BA in journalism, Bash had amassed a collection of 4000 LPs and 1000 45s. The following year, he returned to college at the University of California Irvine; in 1984, he received a BA in psychology. He remained at UCI for graduate school, entering a PhD program in cognitive psychology, but in 1990 decided to leave with his master's degree, and embark on a teaching career. From 1990 through 1998, Bash taught psychology at various community colleges, including Cerritos College, Cuyamaca College, Palomar College and Camp Pendelton.

Pop music journalism and the International Pop Overthrow Festival

Throughout this time, Bash maintained his strong interest in music. By the early 1990s his record and CD collection had grown to almost 8000 items, and included many obscurities from international artists not generally known in the US. By the mid-1990s, Bash had discovered pop music fanzines, such as Yellow Pills and Audities, and started writing music reviews and articles for both publications in 1995. Over the next few years, he also wrote for Discoveries, Goldmine, Amplifier, and PopSided magazines, and penned the liner notes for various re-issue CDs, such as The Toms, Wanna Meet the Scruffs??, Nino Tempo & April Stevens All Strung Out, and the 3 disc set Magic Time: The Millennium/Ballroom Recordings.
From his writing of CD reviews, Bash got to know unsigned bands from all over the world. Many of these bands expressed a strong desire to play in Bash's home town of Los Angeles, so in December 1997, Bash decided to create the International Pop Overthrow Music Festival. The name was chosen to pay tribute to Jim Ellison, singer songwriter of Material Issue, a powerpop band from Chicago, whose 1991 debut album was entitled International Pop Overthrow. The name was also chosen to communicate Bash's desire to overthrow, with the kind of classic pop music being featured at the festival, what had become decidedly "unpop" mainstream radio sounds. In August 1998, the first International Pop Overthrow festival was held in Los Angeles, featuring 120 pop and rock bands from Los Angeles, several other US cities, and 10 bands from five countries: Canada, Australia, Sweden, France, and the Netherlands. Over the next three years, its roster grew to include bands from countries such as Japan, Norway, Austria, Israel, and the United Kingdom. At the 2001 festival, during a panel discussion, it was suggested by several bands that Bash take International Pop Overthrow on the road.
The first city outside Los Angeles in which the International Pop Overthrow Festival was held was New York, in December 2001, followed by Chicago in April 2002. Each new city that followed added a cache of strong local talent, and provided opportunities for bands from other cities in which IPO was already established to play. The festival became international in 2003, when Bash was approached by Beatles historian, Jean Catharell, to hold the festival in Liverpool, UK. The festival has since become a yearly event at the Cavern Club, drawing unsigned pop and rock talent from around the world. The festival is now held annually in 16 different cities, and Bash continues to explore opportunities to take the festival to additional locales, with Spain, Japan, and Australia high on the list of possible future International Pop Overthrow locations.
The International Pop Overthrow Festival has been held in several venues, such as the Cavern Club, the Troubadour, the El Rey, Spaceland, the Abbey, Schubas, Bottom of the Hill, The Rivoli, the Khyber, Arlene's Grocery, Kenny's Castaways, the Knitting Factory, the Middle East, the Railway, City Hall, and the Orange County Fair.
The International Pop Overthrow festival has been recognized in an interactive exhibit at The Grammy Museum, as helping the power pop genre "persist into the new millenium."
Artists who have played the International Pop Overthrow Festival include Walter Egan, Harmony Grass, Shoes, Off Broadway, John Wicks & The Records, The Rubinoos, The Cowsills, and Enuff Z'Nuff, as well as recent and current stars, such as Kara's Flowers, Phantom Planet, The Click Five, Jason Falkner, Seth Swirsky and The 88.
The International Pop Overthrow Festival has been covered in numerous publications, including The Los Angeles Times, L.A. Weekly, The Chicago Sun Times, The Boston Herald, The Boston Globe, New York Magazine, The New Yorker, The Liverpool Echo, BBC Liverpool, SPIN!, Goldmine, Amplifier, and Billboard. In addition, Bash has been featured in a Sonicbids promoter profile, and noted Liverpool historian and BBC radio personality, Spencer Leigh, devoted several pages to the festival in his book, The Cavern: The Most Famous Club in the World.

Personal

After having lived in Sherman Oaks, California for 19 years, Bash moved to Reseda, CA in February, 2019. In 2001, he met his future wife, Rina Bardfield, at an International Pop Overthrow show, and they have been together ever since. Bardfield helps with the selection and scheduling of artists for the festival, and writes many of the artist descriptions for the festival's various programs and website.
Bash writes music reviews and the occasional article for Shindig! magazine, Ugly Things magazine, and , and writes a column called on the International Pop Overthrow website.
Bash has recently been named one of the Executive Producers of , which is written and directed by Justin Fielding.