is an adventurous, curious, slightly tomboyish young woman in Venice. Her lover Marco, who will be a Senator like his father, cannot marry her because her family is too poor; he marries a foreign noblewoman instead. Veronica's mother plans for her family's financial security, as she still requires dowries for her younger daughters and money for her son's commission. Rather than go to a convent, Veronica's mother suggests she become a courtesan, a highly paid, cultured prostitute like her mother and grandmother before her. At first Veronica is repelled by the idea, but once she discovers that courtesans are allowed access to libraries and education, she tentatively embraces the idea. Veronica quickly gains a reputation as a top courtesan, impressing the powerful men of Venice with her beauty, wit, and compassion. Marco finds it difficult to adjust to his new wife, who is nothing like Veronica, and becomes jealous as she takes his friends and relatives as lovers. After Marco's cousin Maffio, a poor bard who was once publicly upstaged by Veronica, attacks her, Marco rushes to her aid. They rekindle their romance, but Veronica refuses to stop seeing clients and accept his support. Nevertheless, she spends a great deal of time with Marco, neglecting her business and ignoring her mother's warnings that such a relationship is dangerous for her. The Fourth Ottoman–Venetian War breaks out, and the city appeals to France for aid. Veronica is encouraged to seduce the King of France and secures a military alliance. Marco accuses her of enjoying being a courtesan, implying she ought to have rejected the King despite the risk to Venice. Veronica points out that she sacrificed their love for the good of the city, while he only did it to protect his family's political standing, and Marco leaves for war angry. While the Venetians are fighting at sea, a plague hits the city. Religious zealots take the war and plague as punishment for the city's moral degradation, and Veronica's home is quarantined and almost ransacked by a mob. Veronica is summoned to appear before the Inquisition on charges of witchcraft and refuses to name her clients. When it appears that she will be executed, Marco publicly shames the Venetian ministers and senators into admitting their own adulteries and sins by standing up in the assembly. Bewildered by the extent of sin in the city, the Inquisitor drops the charges of witchcraft, and Marco and Veronica reconcile.
The film opened in limited release on 20 February 1998 to mixed but mostly positive reviews, receiving a 69 percent freshness rating on the movie critics website Rotten Tomatoes. Roger Ebert of the Chicago Sun-Times gives it 3 1/2 stars and lauds the writers, noting that "few movies have been so deliberately told from a woman's point of view....Most movies are made by males and show women enthralled by men. This movie knows better." Jack Mathews of the Los Angeles Times described it as "both blessed and cursed with inspiration." In its initial release, Dangerous Beauty played in only 10 theatres, although it did well, earning $105,989. Dangerous Beauty eventually opened across 313 theaters, but earned only $4.5 million in the United States.
Stage versions
A stage musical version of the film premiered on July 25, 2008 at Northwestern University's Ethel M. Barber Theatre. The musical features book and verse by Jeannine Dominy, lyrics by Amanda McBroom, and music by Michele Brourman under the direction of Sheryl Kaller. Another musical version of Dangerous Beauty premiered at the Pasadena Playhouse in February 2011, starring Jenny Powers as Veronica Franco and James Snyder as Marco Venier.
