Dandelion Magazine was the brainchild of then Calgary-based writers Joan Clark and Edna Alford. In the early 1970s, they were participants in a writers' workshop at the University of Calgary led by poet and faculty member Christopher Wiseman. During coffee breaks, they talked about starting a literary magazine where emerging Alberta writers could publish their work. The first issue was produced in the summer of 1975 at the Dandelion Artists’ Cooperative located at the historic Deane House in Calgary’s Inglewood neighbourhood. Early editions were typewritten, stapled chapbooks with cardstock covers featuring a silkscreened dandelion flower by visual artist Velma Foster. For the first four years, the editors used their own funds to publish the annual magazine. Each edition of the magazine was launched at a public event in various locations around Calgary, including the Deane House. The emergence of Dandelion Magazine was part of a decade literary critic Bruce Meyer called "a period of intense literary activity in Canada." In the 1970s, there were "more active writers than at any other time in Canadian history, and there were more magazines available to publish their work than ever before." In 1978, the magazine listed an editorial advisory boardcomposed of Christopher Wiseman, Robert Kroetsch, Eli Mandel and Velma Foster. In later editions, W. P. Kinsella, Joan Clark, Edna Alford and Dale Fehr were added to the masthead. The City of Calgary closed the Dandelion Artists’ Cooperative in 1978 to turn the Deane House into a restaurant and teahouse. The magazine borrowed space at the Alexandra Centre nearby, eventually establishing a business office there. In 1979, the Dandelion Magazine Society was incorporated in the Province of Alberta.
1980s
By 1980, Dandelion—Calgary’s only literary magazine—was receiving funding from arts agencies in Calgary and Alberta. In 1981, it began publishing twice a year. In 1982, the editors of launched blue buffalo, at first as a supplement then as an independent publication under the auspices of the Dandelion Magazine Society. The biannual literary magazine called itself “a magazine of recent Alberta writing” and published the work of both new and established writers. Its first editorial collective consisted of Calgary poets Claire Harris, Robert Hilles and Murdoch Burnett. In 1989, the magazine featured a special section devoted to Alberta poetry. Calgary Herald books editor Ken McGoogan noted that “a partial listing of contributors reads almost like a who's who of this province's poets"
1990s
In 1996, the magazine’s offices moved to the Old Y in the Beltline neighbourhood. In this decade, Dandelion was listed in the Oxford Companion to Canadian Literature as one of the "notable" independent literary magazines operating in Canada. In 1998, it celebrated its 25th anniversary with a celebration and fundraiser. Shortly after, the magazine folded due to financial pressures and other circumstances. In February 1999, Calgary writers staged a “wake” for Dandelion at the Hop in Brew pub in Calgary's Beltline. In 1999, Aritha van Herk and Fred Wah, faculty members in the University of Calgary’s English Department resurrected the magazine as dANDelion. Its new organizational structure featured an editorial collective run by University of Calgary graduate students and overseen by a faculty advisor.
2000s
In thisp period, several special issues were published. In 2003, the magazine published an edition featuring the work of poet and visual artist Roy Kiyooka. In 2004, the “Disaster!” edition edited by Calgary poet Jill Hartman focused on the Kelowna, BC forest fires in a joint project with Calgary’s Truck Gallery. In 2007, the “Radical Translation” issue featured the work of Quebec poet Nicole Brossard. In 2011, “The Mapping Issue” was the final issue of the magazine, guest edited by Montreal writer and translator Oana Avasilichioaei and managing editor Kathleen Brown. In April 2019, founding editors Joan Clark, Edna Alford and Velma Foster were honoured at a celebration held at the Deane House for their contributions to Calgary’s literary heritage.
