The origins of the statue are unclear. The wooden image of Christ washed ashore at Portobelo, picked up by fishermen. It was initially housed in a small church and venerated. After Iglesia de San Felipe was built, the statue was installed there. One legend says that the statue was carved in Spain. Some time during the 17th century, it was carried in a Colombian vessel to be installed in the New World. Due to a storm, the ship was forced to dock at Portobelo. When the ship was scheduled to depart, a sudden storm set in, preventing the ship to set sail; this happened repeatedly. Attributing this phenomenon to the statue, the superstitious sailors threw the box containing the statue into the sea and thereafter the storm subsided, and the ship moved on. The statue is life-size and carries a cross. The image is carved of heavy cocobolo wood of dark brown colour. The image reflects emotional pain. It is deified in the church on a platform to the left of the altar. A gilded plaque with items linked with Christ's crucifixion, such as nails, a crown of thorns, and dice as used by the Roman soldiers adorns the statue. At various times, the statue is dressed in a robe. During the Black Christ Festival held on October 21, the robe is of red or wine in colour. It is of purple colour during Holy Week. The robes are donated by devotees usually anonymously, and once changed the robes are not reused. The robes are sometimes made of simple fabric, and sometimes of more expensive fabric with rich designs and gold borders. All the gowns which have adorned the statue, and which are changed twice a year, are now preserved in a museum called the Museo del Cristo Negro, which is located at the Church of San Juan de Dios, a 17th-century church located behind the Iglesis de San Felipe. Previously the museum building had been a hospital. As of 2010, the museum had 60 robes which once adorned the Black Christ statue. The robes are a mark of an individual devotee's expressed adoration of the Black Christ and their penance seeking atonement of sin.
Pilgrimage
The statue is venerated by people from all parts of Panama. Several miracles have been attributed to Cristo Negro and so it is also referred to as "El Nazareno." Visiting the church is a pilgrimage undertaken by villagers. Some walk from Panama City, others walk from Sabanitas, and a few pilgrims crawl the last mile on their hands and knees, seeking blessings at the shrine. During the pilgrimage, pilgrims adorn themselves with purple robes similar to the one that adorns Cristo Negro. Criminals also make this pilgrimage to atone for their crimes. There are many stories related to criminals participating on the festival day, which has resulted in designating the Black Christ as the "patron saint of criminals." Some devout worshipers pin gold charms on their robes as symbols of faith. On arriving at the threshold of the church, pilgrims discard their robes at the midnight hour.
Art Works
Among the many art works that the Cristo Negro has inspired, two audiovisual products are remarkable. Panamanian photographer Sandra Eleta included a majestic coverage of the Cristo Negro massive procession in her slide-show "Portobelo", while Cuban-American filmmaker Alfredo Alvarez Calderón released in 1996 a comprehensive documentary on the cult, pilgrimage and procession, called "El Cristo Negro de Portobelo". Painter Rogelio Pretto and other Panamanian artists have also contributed many works with the Cristo Negro image.
