Cotton Fields


"Cotton Fields " is a song written by American blues musician Huddie Ledbetter, better known as Lead Belly, who made the first recording of the song in 1940.

Early versions

Recorded by Lead Belly in 1940, "Cotton Fields" was introduced into the canon of folk music via its inclusion on the 1954 album release Odetta & Larry which comprised performances by Odetta at the Tin Angel nightclub in San Francisco with instrumental and vocal accompaniment by Lawrence Mohr: this version was entitled "Old Cotton Fields at Home". The song's profile was boosted via its recording by Harry Belafonte first on his 1958 album Belafonte Sings the Blues with a live version appearing on the 1959 concert album Belafonte at Carnegie Hall: Belafonte had learned "Cotton Fields" from Odetta and been singing it in concert as early as 1955. A No. 13 hit in 1961 for The Highwaymen, "Cotton Fields" served as an album track for a number of C&W and folk-rock acts including Ferlin Husky, Buck Owens, the New Christy Minstrels and the Seekers : Odetta also made a new studio recording of the song for her 1963 album One Grain of Sand. The Springfields included "Cotton Fields" on a 1962 EP release: this version is featured on the CD On an Island of Dreams: The Best of the Springfields. "Cotton Fields" was also recorded by Unit 4+2 for their Concrete and Clay album. A rendering in French: "L'enfant do", was recorded in 1962 by Hugues Aufray and Petula Clark.

The Beach Boys cover

American rock band the Beach Boys recorded "Cotton Fields" on November 18, 1968: the track with Al Jardine on lead vocals debuted on the group's 1969 album 20/20.
Dissatisfied with Brian Wilson's arrangement of the song, Jardine later led the group to record a more country rock style version; this version recorded on August 15, 1969, featured Orville "Red" Rhodes on pedal steel guitar. Entitled "Cottonfields", the track afforded the Beach Boys their most widespread international success while also consolidating the end of the group's hit-making career in the US. "Cottonfields" would be the final Beach Boys' single released on Capitol Records – the group's label since May 1962 – and their last single released in mono.
While barely making a dent in the US though promoted with an appearance on the network TV pop show Something Else, the song succeeded across the Atlantic, reaching number two in the UK's Melody Maker chart and listed as the tenth-biggest seller of the year by the New Musical Express. Worldwide – outside North America – it nearly replicated the success of the group's "Do It Again" two years before. It was number 1 in Australia, South Africa, Sweden and Norway, number 2 in Denmark, number 3 in Ireland, similarly top 5 in the United Kingdom, Japan, Spain and Rhodesia; number 12 in the Netherlands, number 13 in New Zealand and number 29 in Germany. Because of this popularity, it was placed on the international release of the group's Sunflower album. The single achieved sales of over 50,000 copies in Australia, being eligible for the award of a Gold Disc.

Personnel

Sourced from Craig Slowinski.

Album version

The Beach Boys
Additional personnel
included their cover of Cotton Fields as the third track on their 1969 album Willy and the Poor Boys. Their version hit No. 1 in Mexico in 1970.

Covers

The original Lead Belly lyrics state that the fields are "down in Louisiana, just ten miles from Texarkana". Later versions say the fields are "down in Louisiana, just about a mile from Texarkana". Both are geographically impossible, as Texarkana is about 30 miles north of the Arkansas–Louisiana border. This song line suggests the writer had the widely held but mistaken belief that Texarkana is partially in Louisiana.

Further use

The song has been taken up by bluegrass musicians, far from actual cotton yielding regions. E.g. the German skiffle band Die Rhöner Säuwäntzt describe their style as Musik von den Baumwollfeldern der Rhön, translating into "music played in the Rhön Mountains cotton fields". In Spanish, the song was covered by the '60s rock and roll group Los Apson titled "Cuando Yo Era Un Jovencito". In order to keep the words sounding similar, the meaning of the song was completely changed. Regional Mexican musician Ramon Ayala also covered the Spanish version of "Cottonfields" in 1989, and it became a well-known hit for years.