ContraPoints
Natalie Wynn is an American YouTuber whose videos explore topics such as politics, gender, ethics, race, and philosophy on her YouTube channel ContraPoints. The channel focuses on counterarguments to right-wing political argumentation using various characters acted by Wynn, often engaged in debate. Wynn's videos have received positive critical response and have been praised for their intricately designed sets and costumes and their darkly humorous tone.
Early life
Wynn was born on October 21, 1988, in Arlington, Virginia, and raised in the same state. Wynn's parents are a psychology professor and a doctor. She attended Georgetown University in Washington, D.C., and studied philosophy, then enrolled at Northwestern University in Illinois to pursue a PhD in philosophy, also serving as an instructor. Wynn left Northwestern, saying it had become "boring to the point of existential despair", and moved to Baltimore, Maryland.Wynn has written fiction, taught piano, and worked as a paralegal and copywriter.
YouTube career
Wynn started publishing YouTube videos in 2008, initially regarding religion and atheism. In 2016, she began the ContraPoints channel in reaction to the Gamergate controversy and the increasing prevalence of right-wing YouTubers, shifting her content to countering their arguments. Early ContraPoints videos also covered subjects such as race, racism, and online radicalisation. In her videos, Wynn uses philosophy, sociology, and personal experience to explain left-wing ideas and to criticize common conservative, classical liberal, alt-right and fascist talking points.Wynn's videos often have a combative but humorous tone, containing dark and surreal humor, sarcasm and sexual themes. Wynn often illustrates concepts by playing different characters who engage in debate. The videos have been noted for showcasing Wynn's production choices such as complicated lighting, elaborate costumes, and aesthetics. She takes aesthetic cues from drag performance, saying in a 2019 interview that if conservatives were going to call her a drag queen anyway, she decided to "be the most extravagant drag queen on YouTube." In a 2018 interview for The Verge, Katherine Cross notes a significant difference between Wynn and how she presents on YouTube, explaining that the YouTube channel portrays an image of being "blithe, aloof, decadent and disdainful", while personally Wynn "can be earnest—and she cares deeply, almost too much."
The video channel is financed through the crowdfunding platform Patreon, where ContraPoints is among the top 20 creators on the site.
In February 2020, Wynn set all her videos from before August 2017 — when she began her gender transition — to private saying that they "no longer represent the person I've become". She posted transcripts of the majority of these videos on her website.
Reception
Wynn's videos have been praised for their clarity, nuance, and attention-grabbing sense of humor. Jake Hall, writing for Vice, called Wynn "one of the most incisive and compelling video essayists on YouTube". In an article contrasting her personal sincerity and her ironic sense of humor, The Verge describes her as the "Oscar Wilde of YouTube." New York magazine states, "ContraPoints is very good. Regardless of the viewer's interest or lack thereof in internet culture wars, YouTube Nazis, or any of the other wide-ranging subjects covered in its videos, they're funny, bizarre, erudite, and compelling." Nathan Robinson of Current Affairs calls ContraPoints a "one-woman blitzkrieg against the YouTube right," describing her videos as "unlike anything I've ever seen... She shows how debate should be done: not by giving an inch to poisonous ideas, but by bringing superior smarts, funnier jokes, and more elegant costumes to the fight."Media often describe the channel's content as uniquely suited to a millennial audience, due to its humorous style and its direct attention to online culture. Wynn's analysis of fascists' use of memes and coded symbols has been cited by the Southern Poverty Law Center in an article explaining the right-wing use of the OK sign. Journalist Liza Featherstone recommends the channel as well, saying that Wynn does a "fabulous job" acknowledging her opponents' valid points while debunking weak arguments and revealing the influence of a sometimes-unacknowledged far-right political agenda.
In November 2018, after a ContraPoints video about incels reached over one million views, The New Yorker released a profile of the channel, describing Wynn as "one of the few Internet demi-celebrities who is as clever as she thinks she is, and one of the few leftists anywhere who can be nuanced without being boring." The Atlantic praised Wynn's use of "lush sets, moody lighting, and original music by the composer Zoë Blade" and opined of her videos that "The most spectacular attraction is Wynn herself." Polygon named her video on incels one of the ten best video essays of the year 2018. In May 2019, she topped the Dazed 100 list, which ranks people who "dared to give culture a shot in the arm."
In September 2019, Wynn described on Twitter feelings of awkwardness when asked in some contexts to describe her preferred gender pronouns. The tweets were criticized as dismissive of non-binary people who use pronouns other than "he/him" and "she/her". Contrastingly, professor Lal Zimman opined about pronoun introductions, "Wynn is absolutely right that people engage with that practice in ways that can be somewhat problematic". Following negative reaction, Wynn deactivated her Twitter account for a week, then posted an apology. She later stopped using Twitter.
In October 2019, Wynn's video "Opulence" featured a quote from John Waters read by transsexual pornographic actor Buck Angel, whose views on transgender people have attracted criticism, including by some who see Angel's views as being transmedicalist. Wynn was criticised for featuring Angel, including by journalist Ana Valens. In addition to criticism, Wynn and YouTubers associated with her were widely harassed. Wynn's January 2020 video "Canceling" addressed both criticism and harassment of her, and the broader context of perceived "cancel culture". It was praised by Robby Soave of Reason.