Claude Cat had his origins in several other cat characters used by animatorChuck Jones from 1943 to 1947. These cats were mostly similar in appearance and temperament, with black fur and anxious personalities. For example, in the 1943 filmThe Aristo-Cat, Jones paired his unnamed cat against the mind-manipulating mouse duo, Hubie and Bertie. In the 1943 film Fin'n Catty the same cat has a manipulation with water and a goldfish in the style of Sylvester and Tweety. He appeared in the 1943 film An Itch in Time as Elmer Fudd's mascot, in the 1944 filmThe Stupid Cupid, in the 1945 film Trap Happy Porky and a cameo in the 1947 Little Orphan Airedale. Also, he appeared in Odor-able Kitty and in the 1946 film Roughly Squeaking. Jones redesigned the neurotic feline for the 1949 filmMouse Wreckers. The short is another Hubie and Bertie vehicle, only this time, the antagonist they antagonize is Claude, drawn as he would appear in all future cartoons: yellow, with a red shock of hair and a white belly. In this, as in all future Claude Cat cartoons, Jones' careful attention to personality is easily evident. Claude is a nervous and lazy animal. His attempts to protect his home from the manipulative mice Hubie and Bertie prove futile as the rodents torment him by putting upside down and sideways landscape paintings and an aquarium in the windows or by nailing the furniture to the ceiling. Jones set the mice on Claude once more in the 1950 filmThe Hypo-Chondri-Cat. This time, the miniature Machiavellis convince the neurotic Claude that he is dead. Claude would run afoul of the mice once more in 1951's Cheese Chasers and against another mouse duo in Mouse Warming in 1952. Jones added another idiosyncrasy to Claude's id in another 1950 film, Two's a Crowd. Here, Claude is scared out of his mind by a diminutive dog named Frisky Puppy, newly adopted by Claude's owners. The main theme, however, is jealousy, as Claude's attempts to oust the intruder repeatedly fail due to the cat's intense cowardice - a running gag has Claude repeatedly leaping up and clinging to the ceiling, shivering in fear, after the puppy playfully comes up behind him and barks. At the end, however Claude gets revenge by sneaking up behind Frisky and barking, causing the puppy to leap up and cling to the ceiling, also shivering in fear. Jones repeated the scenario with slight variations in Terrier Stricken in 1952 and No Barking in 1954. In future cartoons, Jones recast Claude as a silent villain, still possessing his full set of neuroses. This stage of the character's evolution is best exemplified by the 1954 filmFeline Frame-Up and in the 1958 film Cat Feud. In the first cartoon, Claude convinces his owner that fellow pet Marc Antony is trying to eat the precious kitten Pussyfoot. Marc Antony is tossed out, allowing Claude the run of the house; that is, until Marc Antony outwits the cat and makes him sign a confession admitting to his crimes. Claude's final cartoon was in 1962's Louvre Come Back to Me! who is a French cat that loved Penelope Pussycat, when he is insulted by Pepé Le Pew. Claude was played by voice actorMel Blanc using a quirky, strangulated voice similar to that of Marvin the Martian.
Modern appearances
One of the versions of Claude Cat was planned to be made as a cameo in the deleted scene "Acme's Funeral" from the 1988 film Who Framed Roger Rabbit. He appears with other animated characters scared when Casper appears at the funeral. Claude appears in the episode "Mr. Popular's Rules of Cool" of Tiny Toon Adventures. Claude appeared as one of the spectators in the basketball game of the 1996 movieSpace Jam. In the 2006 Bah, Humduck! A Looney Tunes Christmas, Claude Cat has a very brief cameo as a Lucky Duck Superstore employee going home for Christmas. Claude briefly appears in The Looney Tunes Show opening. Claude appears in several episodes of New Looney Tunes voiced by the series' producer Matt Craig.
