Chester Valentine John Anderson was a novelist, poet, and editor in the underground press. Raised in Florida, he attended the University of Miami from 1952 to 1956, before becoming a beatnikcoffee house poet in Greenwich Village and San Francisco's North Beach. As a poet, he wrote under the name C.V.J. Anderson and edited the little magazinesBeatitude and Underhound. In journalism, he specialized in rock and roll. In that area, he was a friend of Paul Williams and edited Crawdaddy! for a few issues in 1968-1969. He also wrote science fiction, due in part to the influence of Michael Kurland. Anderson's The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Kurland writing the second book and the third volume written by T.A. Waters. The novel was nominated for the 1968 Hugo Award for Best Novel. It, and his few other genre works are associated with New Wave science fiction. He was also a gifted musician, played two part inventions with two recorders simultaneously, played duets with Laurence M. Janifer at the Cafe Rienzi. He subsequently moved to San Francisco during the Summer of Love and, along with Claude Hayward, was one of the founders of the Communications Company, the "publishing arm" of the anarchist guerrilla street theater group The Diggers, having bought a mimeograph with his second royalty check from Butterfly Kid. Through ComCo, he circulated a number of his own bitter broadside polemics in the Haight, including "Uncle Tim's Children," with its infamous, often quoted line, "Rape is as common as bullshit on Haight Street." Joan Didion described the role Chester Anderson and ComCo played in Haight-Ashbury in her 1968 book Slouching Towards Bethlehem. After his stint with Crawadaddy! he was connected for a brief period with the underground newspaperTuesday's Child and with Peace Press, a small movement print shop in Los Angeles. He published two works, both of them thinly disguised memoirs with Paul Williams's Entwhistle Books. Prior to his death in 1991, he lived for a number of years in Mendocino, California, where he collaborated with local artist Charles Marchant Stevenson on his book Fox and Hare: The Story of a Friday Evening. A number of science fiction and publishing personalities, including Norman Spinrad and Lou Stathis, posed on location for the illustrations in this book, which attempted to recreate a particular evening in Greenwich Village in the 1960s.
