Charlotte Birch-Pfeiffer was a German actress, writer, director of the Stadttheater in Zürich for six years, and author of over 100 plays and libretto.
Biography
Charlotte Johanna Birch-Pfeiffer's father was a schoolmate of Schiller, supposedly her father was responsible for saving the manuscript Die Räuber by hiding it in his mattress. When he went blind in 1809, Birch-Pfeiffer read him the classics and by doing so gained a strong literary education. Both father and daughter loved the theater. In 1813 Birch-Pfeiffer's stage debut at the Munich Isarthortheater was supported by the Bavarian King, Max Joseph. From 1818 to 1826 she appeared in Prague, Stuttgart, Kassel, Hannover, Berlin, Dresden, and Hamberg as a member of the Munch Hoftheater playing the lead in tragic roles. In 1825 she married Danish writer and historian, Christian Andreas Birch, the couple begat two children. From 1827 to 1839 Charlotte acted at the Theater an der Wien. From 1837–1842 she worked as the director of the Stadttheater in Zürich. After professionally visiting most of the cities in Germany, in 1844 she accepted an engagement at the royal Berlin Hoftheater, to which she remained attached until her death. Her daughter, Wilhelmine von Hillern, also became an actress and writer.
Lasting influence
On 29 May 2012 Birch-Pfeiffer was honored as the first director of the Zürich theater where an honorary board was placed for her. On 24 February 2013 at the Theater Stok in Zürich Charlotte Birch-Pfeifferthe play was performed about Birch-Pfeiffer's life.
Works
Publications
Charlotte Johanna Birch-Pfeiffer's publications as cited by An Encyclopedia of Continental Women Writers.
Gesammelte Dramatische Werke, 23 Volumes, or the 74 plays collected in these volumes, only two have been translated to English. Twixt Axe & Crown and Jane Eyre, or the Orphan of Lowood
Gesammelte Novellen und Erzäwungen, 3 volumes
Charlotte von Birch-Pfeiffer und Heinrich Laube Im Briefwechsel
Alexander von Weilen
Her plays
Dramatization of popular novels was her specialty, for which her intimate knowledge of the technical necessities of the stage fitted her. Her plays, adapted and original, fill 23 volumes. Many continued to retain the public favor. Her novels and tales were collected in three volumes. Among her plays are:
