Carl Wilhelm Carl Wilhelm , was a prolific German-Jewish film director , film producer and screenwriter of the silent film era , at the end of which his career apparently entirely faded away and he vanished into obscurity.Life After his first work, the short documentary film Ein vergnügter Wintertag im Berliner Grunewald , made for the producer Oskar Messter in 1909, Wilhelm worked for many other Berlin production companies . For example, in the years before World War I , he filmed for Deutsche Mutoskop- und Biograph GmbH in Lankwitz and BB-Film-Fabrikation Bolten-Baeckers in Steglitz a series of comedies starring the silent film star Leo Peukert . The two comedies he shot in 1913 and 1914 with Ernst Lubitsch - Die Firma heiratet and Der Stolz der Firma - were very successful. As late as 1919 a critic could write: "Die Firma heiratet and Meyer aus Berlin are still our best films ." In 1915, with his company Cewe-Films , and in 1920/21, with Carl-Wilhelm-Film GmbH , he also operated as his own producer. In 1917 and 1918 he made a number of films in Hungarian . Carl Wilhelm remained a sought-after director until the end of the silent film period. He then ceased to work almost entirely - he is last heard of as a production assistant in 1935. He left Germany for Vienna after the coming to power of the Nazi party in 1933 and, already ill, joined his son Wolfgang in London where he died in 1936.Filmography As director 1909: Ein vergnügter Wintertag im Berliner Grunewald - also actor 1911: Leibeigenschaft 1912: Der abgeführte Liebhaber 1912: Brüderchens Heldentat 1912: Das elfte Gebot: Du sollst nicht stören Deines Nächsten Flitterwochen 1912: Die Hand des Schicksals – co-director with Heinrich Bolten-Baeckers 1912: Leo, der Witwenfreund / Leo als Witwenfreund 1912: Mama: Roman aus dem Leben einer Schauspielerin 1912: Die Nachbarskinder – co-director with Heinrich Bolten-Baeckers 1912/13: Leo, der schwarze Münchhausen 1913: Die Kunstschützin – also actor; co-director with Heinrich Bolten-Baeckers 1913: Der Shylock von Krakau – also actor) 1913: Tangofieber The Firm Gets Married 1914: Fräulein Leutnant / Fräulein Feldgrau 1914: Die Marketenderin 1914: Der Stolz der Firma. Die Geschichte eines Lehrlings 1915: Der Barbier von Flimersdorf – also screenplay 1915: Berlin im Kriegsjahr 1915: Carl und Carla 1915: Frau Annas Pilgerfahrt. Episode aus dem Wien-Berliner Leben 1914/15 – also screenplay together with, and production 1916: Sami, der Seefahrer 1916: Ein Zirkusmädel 1917: Albert läßt sich scheiden 1917: Doktor Lauffen 1917: Az elátkozott család 1917: Fabricius úr leánya 1917: Fekete gyémántok 1918: A Gazdag szegények 1918: A Szerelem bolondjai 1919: Die Himmelskönigin / Du meine Himmelskönigin – also screenplay The Duty to Live 1919: Prinzessin Tatjana oder Wenn ein Weib den Weg verliert The Yellow Death The Yellow Death Respectable Women The Eyes of the World – also screenplay together with Ruth Goetz , and production 1920: Das Götzenbild der Wahrheit 1920: Der langsame Tod / Die nach Liebe schmachten – also screenplay together with Ruth Goetz, production The Clan - also screenplay together with Ruth Goetz, production 1921: The House of Torment – also screenplay and production 1921: Das gestohlene Millionenrezept – also production Country Roads and the Big City / Musikanten des Lebens – also production 1921: Der Liebling der Frauen – also production 1921: Perlen bedeuten Tränen / Tragische Abenteuer des Japaners Dr. Rao 1921: Unrecht Gut 1921/22: Menschenopfer Lumpaci the Vagabond – also screenplay Debit and Credit - also screenplay, together with Karl Figdor based on the novel by Gustav Freytag Nick, King of the Chauffeurs Upstairs and Downstairs The Alternative Bride The Third Squadron – also screenplay together with Bobby E. Lüthge 1926: Mikoschs letztes Abenteuer – also screenplay When the Young Wine Blossoms – also screenplay, together with Max Jungk based on a story by Bjørnstjerne Bjørnson It Attracted Three Fellows The Duty to Remain Silent – also screenplay 1928: Kaczmarek The Gypsy Chief – also screenplay Dear Homeland - produced by Erich Engels Rooms to Let – also screenplay, together with Bobby E. Lüthge The Firm Gets Married Other 1910: Hexenlied – actor 1910: Die Vernunft des Herzens – actor 1910: Pro patria. Ein Unterseebootsfilm – director's assistant 1910/11: Vater und Sohn – actor 1911: Das Herz einer Gattin – actor 1913/14: Eine venezianische Nacht – director's assistant 1932: Spell of the Looking Glass – "collective direction", together with Herbert Ephraim 1935: J'aime toutes les femmes – production assistant
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