In 1942, Jordan had started on an unparalleled run of success on the BillboardHarlem Hit Parade, which by 1945 had included four number-one hits, and eventually made Jordan by far the most successful R&B chart act of the 1940s. "Caldonia" became his fifth number one on "Race Records" chart. It debuted on the chart in May 1945 and reached number one in June, where it stayed for seven weeks. On the pop chart, the song peaked at number six with the title "Caldonia Boogie". The writing of the song is credited to Jordan's wife of the time, Fleecie Moore. However, it was written by Jordan, who used his wife's name to enable him to work with an additional music publisher. Jordan later commented, "Fleecie Moore's name is on it, but she didn't have anything to do with it. That was my wife at the time, and we put it in her name. She didn't know nothin' about no music at all. Her name is on this song and that song, and she's still getting money." However, by the time of that quote, Jordan and Moore had divorced after a number of arguments in which she had stabbed him with a knife. The lyrics include Jordan's trademark use of comedy: The verses conclude with the refrain: Jordan re-recorded the song in 1956, arranged byQuincy Jones with Mickey Baker on guitar. Jordan also filmed a "soundie" performance of the song for the musical shortCaldonia, which was shown in movie theaters.
Renditions by other artists
At the same time as Jordan's success, the song was also recorded both by Erskine Hawkins and Woody Herman. The issue of Billboard magazine for April 21, 1945, described Hawkins' version as "right rhythmic rock and roll music", possibly the first use of the term to describe a musical style, and pre-dating by 14 months a more often cited use of the words in a June 1946description of "Sugar Lump" by Joe Liggins. Hawkins' version of "Caldonia", featuring piano and vocals by Ace Harris, reached number two on the Billboard R&B chart and number 12 on the pop chart. Herman's version, arranged by the young Neal Hefti, reached number two on the pop chart. In 1949, a version by Sugar Chile Robinson reached number 14 on the R&B chart. Later, James Brown recorded the song, with an arrangement by Sammy Lowe, as his first release for Smash Records in 1964. It appeared at number 95 on the Billboard Hot 100 chart.