Ax Preston, a mixed-race guitarist from Taunton, having survived a government-organised massacre of the official Green Party, emerges from the ensuing chaos as the true leader England desperately needs. He and his friends, also Indie musicians, tackle an outrageous series of disasters, including a minor war with Islamic Separatists in Yorkshire, and a hippie President who turns out to be a murdering paedophile. In the background the whole of Europe is falling apart, in the foreground there are rock festivals, street-fighting; a rampage of "Green" destruction leaving a trail of burned-out hypermarkets, wrecked fast food outlets, and vast expanses of napalmed intensive farming. Ax Preston’s triumph is that he brings his country through the crisis — by guile, self-sacrifice, stubborn goodwill and of course the power of the music — more or less intact. In England, the revolution never descends into a terror. By labelling the book "a near-future fantasy" Jones puzzled and divided the critics. Perhaps "a once and future fantasy" would have been more informative, because this is an Arthur story remapped for the Twenty-First Century. Instead of the cult of glory of mediaeval romance, the preoccupation is Utopian. How to build the Good State, in the grip of a global economic crash and an eco-revolution? Determined not to take over the government, Ax institutes free education to reclaim the illiterate children of the hippie hordes; the "Volunteer Initiative" that gets people cleaning hospital floors alongside the celebrities; and an ingenious system of "trading in surpluses", to feed the newly destitute. Ax is aware that what he’s attempting would be impossible, were it not for the spectre of bloody anarchy on one hand, and on the other the glamour and the orgiastic release of the great Crisis Management concerts. But "people will do any thing, no limit, if it’s seen to be normal, and the role-models say it's okay...". If he can keep his Utopian programme going, somehow, just for a few years, something will survive. Aside from the breakneck pace and a playful, audacious style, the novel's strength is the characterisation of the principals: Ax Preston, Sage Pender, and especially Fiorinda, the teenage "rock and roll princess" with a hideous past. These three, a triad straight from genre fantasy, are marvellously brought to life, illuminating a rather formal, fiercely intelligent novel with joyous power.
Inspiration
The titles of all the novels in the Bold as Love Sequence are taken from songs by or works related to Jimi Hendrix. Bold As Love is named for Hendrix's second studio album, .
