Bodhisena was born in Madurai around 704 AD. He got mystical inspiration from Manjusri Bodhisattva. He initially went to China, having heard that he could meet the incarnation of Manjusri at Mount Wutai. However, on reaching Mount Wutai, he was told the incarnation was in Japan. He also became acquainted with the tenth Japanese ambassador to China, Tajihi no Mabito Hironari. He also met the Japanese monk Rikyo.
The party arrived at Naniwa in August 736 and was met by the monk Gyoki. According to a number of sources, Gyoki and Bodhisena recognised each other from a past life. According to the Shūi Wakashū, quoting from the Tōdaiji Yōroku, Gyoki stated that they were together at Vulture Peak when the Buddha preached the Lotus Sutra. Bodhisena, called the "Baramon Sojo", additionally refers to them being together at Kapilavastu. He also recognised Gyoki as the rebirth of the boddhisatva Manjusri he was seeking. Their exchange is recorded thus: Gyoki: Baramon Sojo in reply: Gyoki conducted Bodhisena to Nara and presented him to the emperor. He was treated with great honour and lodged in the temple called Daian-ji, where he founded Kegon Buddhism and also taught Sanskrit In 752, Emperor Shōmu asked him to perform the eye-opening ceremony for the giant bronze statue of the Buddha Vairocana built in Tōdai-ji. Dosen also played a significant role. The painting of the eyes was done by Bodhisena. After a visit to Mount Tomi, Bodhisena petitioned the emperor to name the prayer hall there Ryōsen-ji, Nara, as he found the place to strongly resemble the mountain in India where the Buddha preached, known as Vulture Peak, or Ryoujusen in Japanese. Bodhisena resided in Daian-ji in Heijō-kyō for the rest of his life. He died on February 25, 760 at Daian-ji temple, and was buried on the Ryoujusen mountain, following his wish when he died. temple, Nara, Japan
Legacy
Japan’s traditional court dance and music still preserve some of the forms introduced by Bodhisena into Japan. The forty-seven characters of the Japanese script are said to have been devised after the pattern of the Sanskrit alphabet by the Japanese BuddhistKobo Daishi. The arrangement of the Japanese syllabary based on the Sanskrit system is also attributed to the influence of Bodhisena in Japan, which, according to Riri Nakayama, “will continue as long as the Japanese language continues to exist”.