Blind Shaft


Blind Shaft is a 2003 film about a pair of brutal con artists operating in the illegal coal mines of present-day northern China. The film was written and directed by Li Yang, and is based on Chinese writer Liu Qingbang's short novel Shen Mu.

Plot

Most coal mines in China are worked by migrant workers who are forced to endure back-breaking, dangerous work in order to send money home. Some of them have additional schemes of their own.
Song Jinming and Tang Zhaoyang are professional con artists, running an intricate scam they have perfected through repeated practice. They find a naive young man looking for work, and convince him that they have arranged three lucrative coal mining jobs for themselves and a relative. The relative has not arrived in time, leaving a gap which they generously offer to the victim, on the condition that he pretend to be the missing relative. After a few days of working in the mine, they murder the victim, and by making the murder look like an accident, they use his death to extort compensation money from the mine's management.
After introducing the scam, the film follows the pair as they repeat it on a new victim, sixteen-year-old Yuan Fengming. Tensions arise as Song begins to have reservations, touched by the victim's youth and innocence and his uncanny resemblance to their first victim of the film, while Tang remains focused on making money for himself and his own family.

Production history

Most of the filming took place 700 meters underground on the border between the Hebei and Shanxi provinces of northern China. Li and his crew were harassed and threatened during the filming.

Reception

Blind Shaft has won at least twelve awards, including a Silver Bear for Outstanding Artistic Contribution at 53rd Berlin International Film Festival in 2003.

Ban in China

Blind Shaft has not been approved for release in China. The Economist noted how "directors are eager to comment on the rapid changes in Chinese society. But films such as Li Yang's Blind Shaft... were not shown to local audiences even though they had been acclaimed abroad."
The director has stated that although he is not sure exactly why the film was banned in China, he believes the film's content has "no political stigma" attached to it, noting that the novel received China's highest literary award, the Lao She Literary Prize.
Discussing the film's themes, Li emphasizes the universal, human elements: