Blackboard Jungle
Blackboard Jungle is a 1955 social commentary film about teachers in an interracial inner-city school, based on the 1954 novel The Blackboard Jungle by Evan Hunter and adapted for the screen and directed by Richard Brooks. It is remembered for its innovative use of rock and roll in its soundtrack and for the unusual breakout role of a black cast member, future Oscar winner and star Sidney Poitier as a rebellious, yet musically talented student.
In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Plot
Richard Dadier is a new teacher at North Manual Trades High School, an inner-city school of diverse ethnic backgrounds where many of the pupils, led by student Gregory Miller, frequently engage in anti-social behavior. Dadier makes various attempts to engage the students' interest in education, challenging both the school staff and the pupils. He is subjected to violence as well as duplicitous schemes; he first suspects Miller, but later realizes that Artie West is the perpetrator, and challenges him in a tense classroom showdown involving a switchblade knife.Cast
- Glenn Ford as Richard Dadier
- Sidney Poitier as Gregory Miller
- Vic Morrow as Artie West
- Anne Francis as Anne Dadier
- Louis Calhern as Jim Murdock
- Margaret Hayes as Lois Hammond
- John Hoyt as Mr. Warneke
- Richard Kiley as Joshua Edwards
- Emile Meyer as Mr. Halloran
- Warner Anderson as Dr. Bradley
- Basil Ruysdael as Professor A. R. Kraal
- Dan Terranova as Belazi
- Rafael Campos as Pete V. Morales
- Paul Mazursky as Emmanuel Stoker
- Horace McMahon as Detective
- Jameel Farah as Santini
- This was the debut film for Campos, Morrow, and Farah, and one of Poitier's earliest. Farah later changed his name to Jamie Farr, best known for playing Corporal Maxwell Q. Klinger in the M*A*S*H TV series.
Critical reception
Variety called it "a film with a melodramatic impact that hits hard at a contemporary problem. The casting, too, is exceptionally good." Harrison's Reports called the film "a stark, powerful melodrama, sordid, tense, and disturbing. The picture no doubt will stir up considerable controversy, but at the same time it probably will prove to be a top box-office grosser." John McCarten of The New Yorker wrote, "While the film has a good many faults, it nevertheless confronts its subject matter head on, and in the circumstances it is an unsettling piece of work."
Not all reviews were positive. Richard L. Coe of The Washington Post slammed the film as "so sensationalized as to negate any laudable purpose its supporters claim," further explaining:
The Monthly Film Bulletin delivered a mixed to negative assessment, writing, "Contrived situations and some rather thin characterisation reduce the impact and effectiveness of Blackboard Jungle, both as an exposé of a current American educational problem and a plea for more strenuous efforts by teachers at similar institutions. Characters such as the flirtatious woman teacher and the pregnant wife are fictitious trimmings which only emphasise the artificiality in the handling of the main theme." The review added, "There are several tense and hard-hitting sequences, and a general atmosphere of strident earnestness, but only in the tiny part of the trade school headmaster, played with considerable force by John Hoyt, is there any real suggestion of complexity or depth."
Box office
According to MGM records the film earned $5,292,000 in the US and Canada and $2,852,000 elsewhere.Awards and honors
1955 Academy Award Nominations:- Best Writing, Screenplay Based on Material from Another Medium
- Best Cinematography, Black-and-White
- Best Art Direction-Set Decoration, Black-and-White
- Best Film Editing.
Cultural impact
The film marked the rock and roll revolution by featuring Bill Haley & His Comets' "Rock Around the Clock", initially a B-side, over the film's opening credits, as well as in the first scene, in an instrumental version in the middle of the film, and at the close of the movie, establishing that song as an instant hit. The record had been released the previous year, gaining only limited sales. But, popularized by its use in the film, "Rock Around the Clock" reached number one on the Billboard charts, and remained there for eight weeks.In some theaters, when the film was in first release, the song was not heard at all at the beginning of the film because rock and roll was considered a bad influence. Despite this, other instances of the song were not cut.
This film is also the source of the slang term "Daddy-O". When the teacher, Mr Dadier, writes his name on the blackboard early in the film, one of the students throws a baseball and knocks a hole in the blackboard at the end of his name, Dadier becomes Dadi-O and the class erupts in laughter and calls him "Daddy-O".
The music led to a large teenage audience for the film, and their exuberant response to it sometimes overflowed into violence and vandalism at screenings. In this sense, the film has been seen as marking the start of a period of visible teenage rebellion in the latter half of the 20th century. The film was banned in Memphis, Tennessee and Atlanta, Georgia, with the Atlanta Review Board claiming that it was "immoral, obscene, licentious and will adversely affect the peace, health, morals and good order of the city."
The film marked a watershed in the United Kingdom and was originally refused a cinema certificate before being passed with heavy cuts. When shown at a South London Cinema in Elephant and Castle in 1956 the teenage Teddy Boy audience began to riot, tearing up seats and dancing in the aisles. After that, riots took place around the country wherever the film was shown. In 2007, the Journal of Criminal Justice and Popular Culture published an article that analyzed the film's connection to crime theories and juvenile delinquency. Its reception in West Germany and Japan was also a recent focus of study in the Journal of Transnational American Studies.
In March 2005, the 50th anniversary of the release of the film and the subsequent upsurge in popularity of rock and roll, was marked by a series of "Rock Is Fifty" celebrations in Los Angeles and New York City, involving the surviving members of the original Bill Haley & His Comets. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress.