Bilbao (Mesoamerican site)
Bilbao is a Mesoamerican archaeological site about from the modern town of Santa Lucía Cotzumalguapa in the Escuintla department of Guatemala. The site lies among sugar plantations on the Pacific coastal plain and its principal phase of occupation is dated to the Classic Period. Bilbao was a major centre belonging to the Cotzumalhuapa culture with its main occupation dating to the Late Classic. Bilbao is the former name of the plantation on which the site lies and from which it has derived its name.
Location
Bilbao lies of the outskirts of Santa Lucía Cotzumalguapa, situated approximately above mean sea level. The archaeological sites of Bilbao, El Baúl and El Castillo were all parts of the same urban centre that extended over about. This extended urban area is known as the Cotzumalhuapa Nuclear Zone by archaeologists and Bilbao lies in the southernmost part of this area. The urban growth of modern Santa Lucía Cotzumalguapa has expanded to the edge of the monumental architecture of the site.The dominant geographical feature close to the Cotzumalhaupa Nuclear Zone is the Volcán de Fuego, one of the most active volcanoes in the world, its crater rising to an altitude of above mean sea level at only a distance of about from Bilbao itself. The activity of the volcano must have impacted upon the population of the site, which must regularly have suffered from falls of volcanic ash, affecting agriculture, transport routes and perishable dwellings.
History
Preclassic Period
Bilbao was occupied since the Preclassic and was the most important site dating to the Preclassic within what became in later periods the Cotzumalhuapa Nuclear Zone.Classic Period
A substantial quantity of Middle Classic and Late Classic ceramics were found in mixed deposits at Bilbao.Postclassic Period
Although Postclassic remains are found close to the surface in various parts of the Cotzumalhuapa Nuclear Zone, Bilbao has a residential compound that is the only major structure dating to this period within the Zone.Modern history
The land containing the archaeological remains was cleared in 1860 by Pedro de Anda, a local civic official, to establish a coffee plantation by the name of Finca Peor es Nada. In 1890 Finca Bilbao was formed from the merging of Finca Peor es Nada with another plot of land. The plantation was renamed to Finca Las Ilusiones in 1957.Austrian physician Simeon Habel drew some of the sculptures at Bilbao in 1863, his drawings were published by the Smithsonian Institution in 1878. Adolph Bastian of the Royal Museum in Berlin visited the site in 1876 and entered into a contract with Pedro de Anda to explore the remains. At this time Carl H. Berendt was hired to move the finest monuments to the Royal Museum in 1877. The monuments were shipped from Puerto San José on the Pacific coast, where one of the monuments was lost overboard. The rest arrived in Berlin in 1883 and totalled 31 in all, including some well-preserved stelae depicting ballplayers. In 1884 engineer Albert Napp mapped the site, his original map being lost for more than a century before being found in 1994 in Berlin.
The site
The architectural remains consist of earth mounds covered by sugarcane plantations. The sculptural style of the site differs from that of the Classic Maya and may represent the vanguard of the Nahua-speaking Pipil who migrated from central Mexico and settled the Pacific coastal plain of Guatemala and El Salvador in the Postclassic Period. The Mexican influence evident at Bilbao may not have arrived directly but could instead have been transmitted via a neighbouring polity such as groups from the Tiquisate or La Gomera areas of the Guatemalan Pacific coastal region.When first discovered the site was covered in forest, this was cleared for coffee plantations that have since been replaced with sugarcane.
Archaeological investigations were carried out by Lee A. Parsons and S. F. de Borhegyi. Parsons has suggested that Bilbao was a colony founded during the Middle Classic by the distant metropolis of Teotihuacan in the Valley of Mexico, with El Tajín as an intermediary, and that it became independent between AD 550 and 700. However, archaeologist Marion Popenoe de Hatch has since redated the site to the Late Classic period. Bilbao's architecture is buried under a thick layer of volcanic soil to an extent that only the largest structures can be distinguished as mounds.
The core of Bilbao is formed by a series of platforms that descend gradually to the south. These platforms do not have any surviving evidence of boundary walls and appear to have been open and accessible. The monumental architecture of Bilbao may have served as an elite residential compound and a place of worship.
The Monument Plaza contained the majority of the site's sculpture, including Monuments 1 through to 8, a group of stelae now in Berlin. The Plaza was externally accessible via ramps and stairways.
Group A lies immediately to the west of the Monument Plaza and contains 6 structures.
Group B is immediately to the north of Group A and contains 4 structures.
Group C is immediately north of Group B and possesses 3 structures.
Group D is immediately north of Group C and contains 4 structures.
Groups A to D are all bordered on the east side by the Canilla River.
Causeways
Bilbao is connected to other sites in the Cotzumalhuapa Nuclear Zone by a system of stone-paved avenues, reinforcing the interpretation of the Zone as an articulated urban centre. There are three major causeways:The Gavarrete Causeway is long and links Bilbao with El Baúl. It was the main avenue of the city and varied between wide. The causeway is named after Guatemalan historian Juan Gavarrete.
The Berendt Causeway is an extension of the Gavarrete Causeway that links Bilbao with El Castillo, it is long.
The Habel Causeway is long and links El Castillo with Golón, only from Bilbao itself.
Sculpture
58 monuments were listed by Parsons at Bilbao, but only 3 remain in situ in Bilbao's Monument Plaza. Even before the extraction of the majority of the sculptures in the 19th century, many had already been damaged by locals who quarried them as a source of construction material. The remaining boulder sculptures of Bilbao lie among the earth mounds of the site's ceremonial centre; they include two sculptures of the central Mexican deity Tlaloc carved into a boulder by a stream. A significant amount of the architecture and relief sculpture at the site features ballgame imagery. Ballgame reliefs at Bilbao feature blossoming and fruiting plants symbolic of agricultural fertility. Stelae at Bilbao depict ballplayers with disembodied heads and various sculptures depict dismembered body parts. Sculptures of dismembered limbs are carved in the round and show the bones protruding.Well-preserved examples of Late Preclassic potbelly sculptures have been found at Bilbao. These are boulders carved to represent obese human figures and are found at many sites along the Pacific coast.
Monument 1 dates to the Classic Period. It depicts a ballplayer wielding a knife in one hand and a severed head in the other. This figure stands on a dismembered human torso lacking limbs and head. Around the main figure are four smaller figures, also carrying severed heads. It was originally found in the Monument Plaza but was removed to the Ethnological Museum of Berlin.
Monument 2 was located in the Monument Plaza and was removed to the Ethnological Museum of Berlin.
Monument 3 depicts a larger ballplayer figure and a smaller death god, both of whom are wearing ballgame yokes, standing in front of a temple. The ballplayer is offering a human heart to the sun. The monument was found in the Monument Plaza but was removed to the Ethnological Museum of Berlin.
Monument 4 depicts a shaman whose tongue is in the form of a knife. It was located in the Monument Plaza and was removed to the Ethnological Museum of Berlin.
Monument 5, Monument 6, Monument 7 and Monument 8 were all from the Monument Plaza and were removed to the Ethnological Museum of Berlin.
Monument 16 is one of the few sculptures to remain at the site, being located in a sugarcane field.
Monument 17 was lost overboard when it was being loaded onto a ship for transport to Berlin. The sculpture was one of a pair and depicted a vulture devouring a human torso. Only the tip of one wing survived and is stored in the museum warehouse.
Monument 18 is a large sculptured stela that is roughly rectangular in shape and has a raised border. It depicts three standing figures. The left-most figure faces the other two on its right. Between the left figure and the central figure is a rectangular object sprouting crab claws at the bottom. There is a circle containing the head of a monkey at the top of the sculpture. Monument 18 has been dated to the Classic period. Monument 18 was located on the west side of Mound 4 of Group B.
Monument 19 depicts three figures, the principal individual wears an elaborate headdress with a Xiuhcoatl plume. He appears to be offering aid to a less fortunate person.
Monument 21 is a basalt boulder in a sugarcane field. The boulder has an artificially flattened upper surface bearing a bas-relief sculpture. The carved face has a 35° slope and measures. The sculpture depicts three main figures. The central figure is the largest and faces towards a second figure seated on a throne. The third figure is behind the central figure, it is smaller and holds a hand puppet. The scene is filled out with twisting vines that sprout cocoa pods bearing human faces. Other details of the monument include birds, snakes and a butterfly with a human head. Monument 21 has been dated to the Classic period. Monument 21 is located east of Mound 2, in the centre of Group B. The decoration on the skirt of one of the figures may be the face of the central Mexican deity Xipe Totec.
Monument 24 was moved to the Museo Nacional de Arqueología y Etnología in Guatemala City.
Monument 46 is a potbelly sculpture.
Monument 47 is a potbelly sculpture.
Monument 58 is a potbelly sculpture. When it was excavated by Parsons it was found lying on its side with its head resting upon the lowest step of a stairway with Monument 59 upside down on top of it. The potbelly sculpture may originally have sat upon the throne. Alternatively, it may have been set at the base of the stairway with the throne at the top.
Monument 59 is a stone altar or throne with four legs. It was found resting inverted on top of Monument 58, a potbelly sculpture, at the bottom of a stairway. It may originally have supported this potbelly monument.