Bijan Sheibani


Bijan Sheibani is a theatre director.
Most recent theatre credits include The Brothers Size by Tarell Alvin McCraney, at the Young Vic Theatre, Inua Ellams' new play, Barber Shop Chronicles, at the National Theatre, and Circle Mirror Transformation by Annie Baker at Home Manchester. Earlier this year Barber Shop Chronicles toured to full houses in Australia and New Zealand after two sell-out runs at the National Theatre in 2017. It will tour the USA in Autumn 2018.
Recent opera credits include Nothing by David Bruce at Glyndebourne Festival Opera and Danish National Opera and Tell Me The Truth About Love for Streetwise Opera.
Later this year Bijan will direct Clare Barron’s award-winning new play Dance Nation for the Almeida Theatre.
Bijan has directed two short films, Groove is in the Heart, and Samira’s Party, both of which were selected for the BFI London Film Festival and other international festivals, and he is currently developing a new short film with Film Four.
He was an associate director of the National Theatre from 2010-2015 under Nicholas Hytner and artistic director of Actors Touring Company from 2007-2011. He won the James Menzies-Kitchen Award for Young Directors in 2003 and held the John S Cohen Bursary at the National Theatre Studio from 2003-2004. He was nominated for an Olivier Award in 2010 for Best Director for his production of Our Class, and his production of Gone Too Far! by Bola Agbaje won an Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2008. The Brothers Size won Best International Production at the Barcelona Critics Circle Awards 2008 and was nominated for an Olivier Award in the same year. Bijan’s production of Nothing for Glyndebourne was nominated for a 2017 Southbank Sky Arts Award for Best Opera.

Early life and education

Sheibani was born in Liverpool, and moved with his family to Hove when he was 7. He was schooled at St Andrew's C of E School in Hove and at Brighton College. He studied English Literature at St Hugh's College, Oxford, and holds an MA in advanced theatre practice from the Central School of Speech and Drama.

Credits