Selected Works, San Diego Museum of Art, San Diego, authored 30 contemporary art entries.
Past in Reverse: Contemporary Art of East Asia, San Diego Museum of Art, distributed by D.A.P., editor and essay, “Crisscross: New Trends in Art, East Asia,” 14-23. Essay republished in Chinese in Art China, Yishu Dangdai, Shanghai, winter, 2006.
Farsites: Urban crises and domestic symptoms in contemporary art, San Diego Museum of Art: Installation Gallery ; : Tijuana Cultural Center, “The Mobility of the Fragment: Architectural Outtakes and Photographic Cuts of the Urban”; “New York City: Blackouts 1965, 1977."
Transmission: The Art of Matta and Gordon Matta Clark, San Diego Museum of Art, distributed by University of Washington Press, 2006. Editor and essay, “Double Triangle: The Madness of the Unexpected,” 11-23.
Lisette Lagnado, Adriano Pedroa. eds. 27a. Bienal de São Paulo: Como Vivier Junto: Guia, São Paulo: Fundaçã, interviews with Mark Bradford, Lu Chunsheng, Taller Popular de Serigrafía, Héctor Zamora,.
Personal Views: Regarding Private Collections in San Diego, San Diego Museum of Art, entries for six contemporary art collections: Eloisa and Chris Haudenschild, Irwin and Joan Jacobs, Michael Krichman and Carmen Cuenca, Lucille and Ron Neeley, Iris and Mathew Strauss, Joyce and Ted Strauss.
Animated Painting, San Diego Museum of Art, distributed by D.A.P., 2007. Editor and essay, “Handwork, Digital Flows, and Contemporary Art Animation”, 18-27.
“Taking it to the Streets: an interview with Betti-Sue Hertz by Calvin Reid,” in South Bronx Contemporary: Longwood Arts Project’s 25th Anniversary, Bronx Council on the Arts, 2007, 12-17.
Eleanor Antin: Historical Takes, co-published by Prestel and San Diego Museum of Art, 2008. Editor and essay, “Eleanor Antin’s Transpositions: A Feminist View of Academic Painting in the Age of Digital Photography”, 81-91.
Drifts and Derivations: Experiences, journeys and morphologies, Museo Nacional Centro De Arte, Reina Sofia, Madrid. Essay, “Roberto Matta: Convergences in Architecture, Landscape and Inscape.” Madrid : MNCARS, 203-215.
Yoshua Okón: US, Yerba Buena Center for the Arts, San Francisco/Museo de Arte Carrillo Gil, Mexico City and Landucci, Mexico City, distributed by D.A.P. Essay, “Invoking the Productive Negative”, 5-15 and 69-79.
Renée Green: Endless Dreams and Time-Based Streams, Yerba Buena Center for the Arts, San Francisco, distributed by D.A.P. Editor and essay, “Seeing Text” 84-95..
“Autopaisaje, 1999-2001” in Gonzalo Lebrija: As Time Goes By, Other Criteria, London, 2010, 62-65.
In Regina Basha, “Climate Change: East Coast to West Coast Curators Articulate the Evolving Curatorial Role”, in Marysol Nieves, Taking Aim!: The business of Being an Artist Today, Fordham University Press, Bronx, New York, 61-64.
Audience as Subject, Yerba Buena Center for the Arts, San Francisco, distributed by D.A.P., 2011. Editor and essay, “Audiences, Art, and the Potential of the Polis”, 15-24..
The Matter Within: Contemporary Art of India, Yerba Buena Center for the Arts, San Francisco, distributed by D.A.P. Editor and essay, “Fragments of India: With Thought, Feeling, and Emotion”, 10-17..
Song Dong: Dad and Mom, Don’t Worry About Us, We Are All Well, Yerba Buena Center for the Arts, San Francisco, distributed by D.A.P. Editor and essay, “Changing Veneration’s Shape: Song Dong’s New Portraiture”, 75-79.
Dissident Futures, Yerba Buena Center for the Arts, San Francisco, distributed by D.A.P. Editor and essay, “Rapid Flux: Notes on Art, the Sciences, and the Future, 9-13.
Public Intimacy: Art and Other Ordinary Act in South Africa, Yerba Buena Center for the Arts, San Francisco, distributed by D.A.P.. Co-editor with Dominic Willsdon and Frank Smigiel.
