The Bassetki Statue is a monument from the Akkadian period in Mesopotamia. It was discovered in the 1974 during leveling of the site of the village Bassetki for military purposes. The pedestal contains an inscription in Akkadian, indicating that the statue once stood in the doorway of a palace of the Akkadian ruler Naram-Sin. The statue was cast from pure copper, weighs and shows a seated, nude human figure on a round pedestal. Only the lower part of the figure is preserved. The Bassetki Statue was among the many artifacts that were looted from the Iraq Museum during the 2003 invasion of Iraq. During the theft, it had been dropped several times, as could be determined from a trail of cracks in the floor of the museum. It was listed number 2 on a list of the 30 most-wanted antiquities that were stolen from the museum. Its recovery came about after the American812th Military Police Company raided a house and arrested three people in October 2003. They revealed the location of the Bassetki Statue, which turned out to be coated in axle grease and hidden in a cesspool. It was subsequently fished out and displayed in the Iraq Museum on 11 November, together with over 800 stolen small objects that had also been retrieved. The Bassetki Statue contains a cuneiform inscription written in Old Akkadian. The inscription deals with the Akkadian ruler Naram-Sin, grandson and third successor of Sargon of Akkad, the founder of the Akkadian Empire. It recounts that, after Naram-Sin crushed a large-scale revolt against his rule, the inhabitants of the city ofAkkad asked the gods to make Naram-Sin the god of their city, and that they built a temple for him in the middle of the city.
Description
The statue consists of a seated nude, male figure on a round base. The upper body and the head of the figure have not been preserved. It was cast from pure copper using the lost-wax process. The statue's base has a diameter of and is high. The preserved part of the figure itself is high. The statue weighs. According to several scholars, the statue stands out for its naturalistic rendering of the human body. This naturalism was a new development characteristic for the Akkadian period.
