Baroque instruments


Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments.
The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach.

Table of instruments

Common nameBaroque era nameTypePluralBaroque era pluralExample of use by BachNotes-
trumpettrombaitbrass, trumpettrumpetstrombeErschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172-
tromba da tirarsitromba da tirarsiitbrass, trumpettrombe da tirarsi---
high trumpetClarion itbrass, trumpetclarini---
cornettcornettoitwoodwind, cornettcornettscornettiused with trombones-
trombonetromboneitbrass, trombonetrombonestromboni---
horncornoitbrass, hornhornscorni---
corno da cacciaNatural hornitbrass, horncorni da caccia---
corno da tirarsicorno da tirarsiitbrass, horncorni da tirarsi---
lituuslituoitbrass, lituuslituuseslitui---
timpanitimpaniitpercussionChristmas Oratorioused with trumpets-
[|recorder]flauto itrecordersflauti Brich dem Hungrigen dein Brot, BWV 39-
descant recorder#Flauto piccoloitwoodwind, recorderflauti piccoli-
fluteflauto traversoitwoodwind, flutetransverse flutesflauti traversi---
oboeoboeitwoodwind, oboeoboesoboi---
oboe d'amoreoboe d'amoreitwoodwind, oboeoboes d'amoreoboi d'amore---
tenor oboetaille frwoodwind, oboetailles---
oboe da cacciaoboe da cacciaitwoodwind, oboeoboes da cacciaoboi da caccia---
bassoonfagottoitwoodwind, bassoonbassoonsfagotti---
violinviolinoitviolinsviolini---
violin piccoloviolino piccoloitstring, violinviolini piccoliBrandenburg Concerto No. 1 in F major, BWV 1046main violin-
violaviolaitstring, violaviolasviole---
cellovioloncelloitstring, cellocellivioloncelli---
itstring, cello---
viola d'amoreviola d'amoreitstring, violaviole d'amore---
viola da gambaviola da gambaitstring, violviole da gambaSt John Passion Aria "Es ist vollbracht!"Basso continuo, but sometimes solo
violettavioletta itstring, violaviolette---
violonevioloneitstring, violviolono---
organorganoitkey, organorgansorgani---
harpsichordcembaloitkey, harpsichordharpsichordscembali---
luteliutoitstring, lutelutesliuti---
[|continuo]basso continuoitbass group---

Baroque instrumentation

The typical orchestra of the Baroque period is based on string instruments and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility.
The specific character of a movement is often defined by wind instruments, such as oboe, oboe da caccia, oboe d'amore, flauto traverso, recorder, trumpet, horn, trombone, and timpani.
For Bach, some instruments carry symbolic meaning such as a trumpet, the royal instrument of the Baroque, for secular and divine majesty: three trumpets for the Trinity. In arias, Bach often uses obbligato instruments, which correspond with the singer as an equal partner. In his early compositions he used instruments that had become old-fashioned, such as viola da gamba and violone.

Continuo

The basso continuo, or short: continuo, the typical bass group of the period, consists of a group of instruments, depending upon the other instruments playing and the performance location. A group may consist of cello, double bass and organ. A bassoon is typically playing when other wind instruments are called for. While an organ will be played in church, a harpsichord will be used in secular surroundings.

Trumpet

The trumpet is the royal instrument of the Baroque, representing secular and divine majesty. Three trumpets symbolize the Trinity in an aria of Bach's BWV 172, addressing the "Heiligste Dreifaltigkeit", where the bass voice is accompanied only by three trumpets and timpani.

Recorder

Recorders are sometimes used to express humility or poverty, such as in Bach's cantata Brich dem Hungrigen dein Brot, BWV 39.

Flauto piccolo

Bach used a flauto piccolo, a high recorder in F, to express for example the sparkling of the morning star in Herr Christ, der einge Gottessohn, BWV 96.