Astounding Sounds, Amazing Music is the sixth studio album by the British rock bandHawkwind, released in 1976. It reached No. 33 on the UK album charts. The title makes references to old science fiction magazines, the concept being that each piece of music would be interpreted as an individual science fiction story. The record cover is a parody of the cover of these magazines, while the inner sleeve carried small ads, with each band member having their own product. The cover was double sided, one side illustrated by Calvert's childhood friend Tony Hyde, the other by Barney Bubbles signed as Grove Lane, with initial print-runs having either as the front cover. Bubbles original design was to have been Steppenwolf looming over the city. This album marked the start of a new era for Hawkwind, having left the management of Douglas Smith for Tony Howard and changed record companies from United Artists Records to Charisma Records. Musically, the dirty heavy metal lead bass guitar playing of Lemmy was replaced by the cleaner, formally trained bass playing of Paul Rudolph. All members of the band were now contributing to the writing and arrangement of the music leading to more width in style, and the recording and production is better defined than previous albums. The greatest change is in the return of Robert Calvert, this time as a permanent vocalist rather than the peripheral poet role he occupied on Space Ritual. Not only did he bring crafted lyrics to the band, but he was intent on turning live shows into a piece of music theatre with specific characters for him to act out, Calvert explaining in a 1976 interview that "We're writing numbers now with visual ideas in mind, rather than trying to think of things to impose on numbers we've already got. We're trying to get the visual side of the band focussed on individuals rather than on screen projections. Nik, Dave and myself are, in some parts of the show, playing the parts of actors... All in all, it works up to quite a nice piece of theatre, spontaneous theatre that is."
Songs
"Reefer Madness" lyrics are inspired by the 1936 anti-marijuana propaganda film Reefer Madness. It was performed during the tour of the album, appearing on the live albumAtomhenge 76, and remained in the set until the formation of the Hawklords in 1978. The song was added to the setlist in 1990/1 to be performed by Bridget Wishart, a version appearing on the live album California Brainstorm. Calvert had written the lyrics to "Steppenwolf" when Adrian Wagner, for his album Distances Between Us, "wanted a song about living in cities and I was re-reading Hesse's Steppenwolf at the time. It seemed to me that there was a strong myth in it about city life and it gave me the basic idea." It was performed during the tour of the album, appearing on the live album Atomhenge 76, and remained in the band's set until Calvert left in 1978, versions included on Weird Tape 4 and 5. The song has occasionally been re-instated into the live set, between 1982 and 1984 it was performed by Turner, in 1996 by Ron Tree, in 2003 by Arthur Brown and in 2017 by Mr Dibs during the Into The Woods tour. "City of Lagoons" is a Powell composed instrumental, although erroneously credited to House on the album's release. "The Aubergine That Ate Rangoon" is an instrumental, its title references Dr. West's Medicine Show and Junk Band's 1967 hit single "The Eggplant That Ate Chicago". "Kerb Crawler" was released as a single backed by "Honky Dorky" which is the band jamming on "Reefer Madness". There are reportedly two versions of the A-side, the original and a re-mix by Pink Floyd's David Gilmour – it is the latter that appeared on the album. "Kadu Flyer" lyrics were written by Turner, who credited them to Jamie Mandelkau for legal reasons. Calvert is also given a writers credit on some releases. Kadu is an abbreviation of Kathmandu. "Chronoglide Skyway" is a House composed instrumental, although erroneously credited to Powell on the album's release. It was performed during the tour of the album, appearing on the live album Atomhenge 76.
Critical reception
The NME investigative journalist Dick Tracy reviewed the album as "Hawkwind are back on form... their music has acquired about fifteen new levels since the old churn-churn days". He highlights "Reefer Madness" as the "stand-out" track and notes that "Simon House has injected a big shot of tuneful keyboarding into the mix".
Track listing
Personnel
Robert Calvert – vocals
Dave Brock – electric guitar, keyboards, backing vocals
