In Tunisiain the summer of 2010, 18 year old Farah Kallel wraps up school exams and prepares to enter university. In the meantime she has joined a band and is secretly dating the lute player, Borhène. Unbeknownst to Farah, her band is already being watched by the police for their songs are critical of the current government. Farah's mother, Hayet receives a visit from an old friend, Moncef, who warns her of the police involvement and warns her to watch her daughter. However, the night of their first gig, Farah locks her mother in her room and escapes to sing at the gig. The performance goes well, giving Farah confidence to continue with her musical pursuits, despite Hayet wanting Farah to study medicine at university. After several more gigs, Borhène arrives at a rehearsal having been interrogated and beaten by the police all night. He accuses Ali, the band's manager who has been taping all of their performances, of being a cop and informing on the band. Later, Ali approaches Farah and tells her he has been protecting her and tries to warn her further but she ignores him. Going to a bus station, on the way to visit her father, Farah goes missing. Hayet tries everything to locate her but eventually realizes that Farah has been taken by the police. She goes to Borhène who tries to convince her that they should get publicity to force the police to release Farah, but decides to go a different way, contacting Moncef who tells her where Farah is located. In prison, meanwhile Farah has been beaten and sexually assaulted. She is eventually released to her parents, but sinks into a deep depression, quitting her band. Hayet manages to help Farah find her voice again and sings with her in her room.
The film received positive reviews upon its release. It holds a 100% fresh ratings from Rotten Tomatoes and a 7.5 average rating. The critic for Variety called it an "impressive debut" and called Medhaffer's acting "a stand-out lead perf". A critic for Indiewire gave the film a score of A- and called it "the Best Fictional Film Yet About the Arab Spring" The Hollywood Reporter was less enthused about the film criticizing its "mostly familiar notes" but praising the cinematography and acting.
