An ars grammatica is a generic or proper title for surveys of Latin grammar. The first ars grammatica seems to have been composed by Remmius Palaemon, but is now lost. The most famous ars grammatica since late antiquity has been that composed by Donatus. Extant works known as Ars grammatica have been written by
Two artes grammaticae circulate under the name Donatus. The first, the Ars Minor, is a brief overview of the eight parts of speech: noun, pronoun, verb, adverb, participle, conjunction, preposition, and interjection. The text is presented entirely in a question-and-answer format. Donatus' Ars Major is only a little longer, but on a much more elevated plane. It consists of a list of stylistic faults and graces, including tropes such as metaphor, synecdoche, allegory, and sarcasm. Donatus also includes schemes such as zeugma and anaphora.
Diomedes' ''Ars Grammatica''
The Ars Grammatica or De Oratione et Partibus Orationis et Vario Genere Metrorum libri III by Diomedes Grammaticus is a Latin grammatical treatise. Diomedes probably wrote in the late 4th century AD. The treatise is dedicated to a certain Athanasius.
Book II the elementary ideas of grammar and of style
Book III poetry, quantity, and meters
The third book on poetry is particularly valuable, containing extracts from Suetonius' De poetica. This book contains one of the most complete lists of types of dactylic hexameters in antiquity, including the teres versus, which may be the so-called golden line. The Ars of Diomedes still exists in a complete form. It was first published in a collection of Latin Grammarians printed at Venice by Nicolas Jenson in about 1476. The best edition of Diomedes's Ars Grammatica is in Grammatici Latini vol. I by Heinrich Keil.
Alcuin's ''Ars Grammatica''
In around the 790s, Alcuin of York composed an Ars grammatica as the first of a group of four opera didascalica in question-and-answer form rooted in Donatus's Ars grammatica. The other three texts were De orthographia, Ars rhetorica, and De dialectica. Alcuin's Ars grammatica begins with a section Disputatio de vera philosophia. In the assessment of Rita Copeland and Ineke Sluiter, 'the content of these works is highly derivative, but the pedagogy is innovative, and the way in which the work of compilation has been executed gives a new ideological twist to traditional material'.
