Archaeological looting is the illicit removal of artifacts from an archaeological site. Such looting is the major source of artifacts for the antiquities market. There are two types of archaeological looting which include illegally exporting of goods to other countries and illegal excavations from the country in which the excavation happened. Looting has been linked to the economic and political stability of the possessing nation, with levels of looting increasing during times of crisis. However, looting is also endemic in so-called "archaeological countries" like Italy, Greece, Turkey, Sicily, Cyprus and other areas of the Mediterranean Basin, as well as many areas of Africa, South East Asia and Central and South America, which have a rich heritage of archaeological sites, a large proportion of which are still unknown to formal archaeological science. Many countries have antique looting laws which state that the removal of the cultural object without formal permission is illegal and it is theft. In addition to looting being against the law, looting may also threaten access to cultural heritage. Cultural heritage is knowledge about a heritage that is passed down from generation to generation. Grave robbery is a type of archaeological looting. Grave robbing is the illegal removal of bodies from grave sites. Often, grave robbing involves sealing artifacts or personal items within ones burial which may later be sold on the black market.
Dura-Europos is an ancient Christian church located in modern day southeast Syria covering about 140 acres of land. It was built in 256 CE in an early Roman era town from stone and rock. In 1920, it was discovered by British soldiers when they were digging into the ground during World War I to form trenches. It contains religious figures, shrines, and sculptures of Gods such as those who were Roman, Sumerian, Palmyrene, Judean, Parthian, and Greek. It also contains sacred architecture, wall paintings, and the oldest portrait of Jesus Christ. The site represents a blend of many different cultural traditions. It is said that 70 percent of the site has been ruined because of looters. Based on images from satellites in 2014, the mud-brick walls have been left cratered.
The Elgin Marbles, or Parthenon Marbles are a collection of architecture and sculptures originating from the Parthenon in Athens. Thomas Bruce of England, the 7th Earl of Elgin removed the Marbles and had them shipped to England. Thomas Bruce was the Ottoman Empire's British ambassador. Some say that the 7th Earl of Elgin looted the Marbles, but others say that he received permission from the Ottoman authorities. The Elgin Marbles were removed from Greece and brought to London. The Marbles were bought from the 7th Earl of Elgin by Great Britain and they are now displayed in the British Museum. It is a controversial topic as to who the Elgin Marbles belong to. The Greek government wants the Marbles back because at the time the Marbles were taken to London, Greece was under the control of the Ottoman Empire. The British Museum wants to keep the marbles in London because they believe they are saving the Marbles from damage.
The Euphronios Krater is an ancient Greek vessel. It was made around 515 BC in Athens by the artist Euphronios. The vessel was used to mix wine and water. The vessel is said to have been excavated from an Etruscan tomb. The painting on it is an image ofSarpedon, the son of Zeus, dying with Hermes, Hypnos, and Thanatos surrounding Sarapedon. The vessel also includes a painting of 3 children of Athens preparing for a battle. One popular story for the Euphronios Krater is that the Krater was looted by grave robbers and then sold to Giacomo Medici who is an Italian art dealer who has been convicted of receiving and exporting stolen objects. The Krater is said to have then been sold to Robert Hecht who is an American antiques dealer and then sold to the Metropolitan Museum of Art. The Metropolitan Museum of Art is said to have purchased the Euphronios Krater in 1972 for one million dollars. Eventually, the Krater was returned to the Italian Government and the Krater was brought to the Villa Giulia Museum in Rome.
