Arabian Nights (2015 film)


Arabian Nights is a 2015 internationally co-produced three-part drama film directed by Miguel Gomes and based on the One Thousand and One Nights, comprising Volume 1: The Restless One, Volume 2: The Desolate One, and Volume 3: The Enchanted One. It was screened as part of the Directors' Fortnight section at the 2015 Cannes Film Festival. The film was also selected to be shown in the Wavelengths section of the 2015 Toronto Film Festival.
Part two of the film, Arabian Nights: Volume 2 - The Desolate One, was selected as the Portuguese entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated.

Plot

The film is set in Portugal, with the plot drawing from current events. The structure of the film is based on the One Thousand and One Nights collection of fantasy tales.

Cast

Production

Production was expected to end in August 2014 and the film was expected to be completed in February 2015.

Release

The three installments of Arabian Nights premiered at the 2015 Cannes Film Festival. Volume 1: The Restless One on 16 May 2015, Volume 2: The Desolate One on 18 May 2015, and Volume 3: The Enchanted One on 20 May 2015. The films were released in France on 24 June, 29 July, and 26 August.

Critical reception

All three films received generally positive reviews from critics. Rotten Tomatoes reports that Volume 1 has a 97% score based on 34 reviews, with an average rating of 8.03/10. Volume 2 has a 100% score based on 16 reviews, with an average rating of 8.05/10. Volume 3 has a 87% score based on 23 reviews, with an average rating of 7.07/10. On Metacritic, Volume 1 has an 80 out of 100 rating based on 10 critics, indicating "generally favorable reviews". Volume 2 has an 81 out of 100 rating based on 9 critics, indicating "universal acclaim". Volume 3 has an 80 out of 100 rating based on 10 critics, indicating "generally favorable reviews".
Boyd van Hoeij of The Hollywood Reporter called the first part a "frequently fascinating collage of stories" and the second part "an appropriately striking, dramatic and even mirthful work that, however, would make little sense on its own."
Richard Brody of The New Yorker considered the series a "passionately investigative, floridly imaginative triptych" and its first installment "an uproarious and scathing, compassionate and urgent outburst." Brody went on to conclude that "Gomes single-handedly reinvent the political cinema."