For the world premiere—also the opening of the new Metropolitan Opera House—no expense was spared, with the creative team including Zeffirelli himself directing and designing the production. The team included revolutionary choreographer Alvin Ailey, conductor Thomas Schippers and a top rate cast headed by Leontyne Price as Cleopatra. Condensing Shakespeare's text from five acts in over forty scenes to three acts over three hours, Zeffirelli preserved much of the speaking style of the original tragedy. The stage design and costumes were elaborate; the cast was enormous including 22 principal singers, a full chorus, dozens of extras and a troupe of ballet dancers—a company of 400 performers on stage. Quickly utilizing the limits of the cutting-edge technology of the new opera house, the mammoth production was not without problems. A technical error during early rehearsals broke the house's new turntable, causing the entire production to be restaged with movable scenery units. A large hydraulic pyramid of steel, brass and aluminium dominated the stage with fold up sides that famously trapped Price during the dress rehearsal. The opera was poorly received by the press, and not enthusiastically received by the public. Among the reasons cited for the opera's lack of success were an "inflated production with problematic technical apparatus, gaudy costumes, overcrowded stage forces and a press overly attentive to the social glitter of the occasion". Less kindly, the 1966 premiere was retrospectively described as "a hair-curlingly awful production. … The nighthas gone down in the annals of opera as a landmark of vulgarity and staging excess. Mr. Barber’s score, as we discovered from subsequent exposure to revised excerpts in concert and on records, was to a great extent an innocent victim of the over-all fiasco". The opera was dropped from the Met's repertory after the initial eight performances of the production. The radio broadcast of the premiere, rarely heard after the initial broadcast, was released in 2016, upon the 50th anniversary of the premiere. Barber later revised the opera, with text revisions by Gian-Carlo Menotti, Barber's partner and the librettist of his first opera, Vanessa. This version was premiered under Menotti's direction at the Juilliard American Opera Center on February 6, 1975. It was given its European premiere in 1980 in concert version at the Théâtre des Champs Elysées, Paris, as part of the "Saison Lyrique de Radio France" under its Music Director, Jean-Pierre Marty. There were further productions at the Spoleto Festival USA and Festival dei Due Mondi in Spoleto, Italy, in 1983, and the Lyric Opera of Chicago in 1991.
Roles
Recordings
Two complete commercial recordings of the opera exist, as well as two scenes sung by Leontyne Price.
Antony and CleopatraMetropolitan Opera Radio broadcast of the September 16, 1966 world premiere. Leontyne Price, soprano, Justino Diaz, bass; The Metropolitan Opera Orchestra & Chorus, Thomas Schippers, conductor. Part of "The Inaugural Season: Extraordinary Met Performances From 1966–67" box set, 2016
