Antonio de Almeida was a French conductor and musicologist of Portuguese-American descent. Born Antonio Jacques de Almeida Santos in Neuilly-sur-Seine near Paris, his father was the financier Baron de Almeida Santos of Lisbon, his mother was the former Barbara Tapper of Highland Park near Chicago. His godfather was pianist Arthur Rubinstein.
He began conducting for Portuguese Radio in Lisbon in 1949, and soon after was appointed to his first conducting post at the Oporto Symphony Orchestra. While there, he invited Thomas Beecham to guest conduct the orchestra. He was the conductor of the Portuguese Radio in Lisbon and Stuttgart Philharmonic. He gave the Paris premiere of Il Trittico at the Opéra-Comique in 1964, and worked at the Opéra National de Paris from 1965 to 1967. He was principal guest conductor of the Houston Symphony and then music director of the Orchestre philharmonique de Nice. He gave the Argentinian premiere of Mahler's 7th Symphony in Buenos Aires. He became the music director of the Moscow Symphony Orchestra in 1993, a position he held at his death. His American debut came in November 1960 with the opening of the eighth subscription season of New York's American Opera Society at The Town Hall. He led the Symphony of the Air in a concert version of Christoph Willibald Gluck's Orfeo ed Euridice. New York Times reviewer Harold C. Schonberg wrote of the conductor "He knows his business. Cool, not flamboyant of gesture, capable, he held the performance together as nicely as one would desire". He also wrote that "Mr. de Almeida is a conductor to watch".
An interest in the works of Jacques Offenbach began in the 1950s, and by the 1970s Almeida was known as an authority. He made numerous discoveries including previously unknown arias and a second-act finale for La Grande-Duchesse de Gérolstein. He prepared editions of Offenbach's operas, and compiled a Thematic Catalogue of the Works of Jacques Offenbach. He became co-artistic director of the Haydn Foundation in 1968. Under the Foundation's auspices, he recorded a set of Joseph Haydn's symphonies. He also edited a complete set of Luigi Boccherini's symphonies for Doblinger in Vienna.
Personal life
He was married to Lynn Erdman in 1953, their marriage ending in divorce in 1988. The couple had two sons and a daughter. His son Antonio, a Juilliard and Academy of Vocal Arts trained opera singer, worked as classical record producer and served as a producer and engineer for some of the conductor's Moscow Symphony recordings. Despite his Portuguese/American parentage, he declared his nationality to be French, and he remained a citizen of France throughout his life. He spoke six languages fluently, and was well versed in Greek and Latin. He died of liver and lung cancer on 18 February 1997, age 69, at the University of Pittsburgh Medical Center.